Combining a bent lyric perception with a fragmentation redolent of French cubism, Coletti portrays contemporary urban experience, from power relations and personal loss to nights among city dwellers recording their convivial distress, glad and dissolute at once. Part teddy bear fleeing the cultish outlines of the American northwest, part Apollinaire in Brooklyn, Coletti culls his materials from the ether and assembles them into resonant structures at once intensely personal and strangely universal--a little outrageous--both confusingly lovely and apt in their ungainliness. Lines like "I'm nearly home is what everyone says" and "triceratops