If Michelangelo blocks of marble already contained I Prigioni that the sculptor later digged out, the materials protagonists of Tales of stone and more had already inside them the artworks that the man will take out and the tale that will make of him an artist. The young readers of Tales of stones and more find out materials as the artists of our century have already done - Anselmo, Penone, Pistoletto, Merz, Kounellis - who bring to the extreme limit the sensitivity that makes them catch "the artistic "inside the substance and inside the shape, before the human agency. In Quarzo microcosmos, so close to the children's one, stones can think, but their thinking is not as fast as their becoming sand; growing trees destroy the skyscrapers' order; clothes thrown in the room becomes a rainbow; and all the tales connect one thing to the other as in a kind of an illustrated Mille e una notte of art materials. The book is the english edition of Storie di pietra e d'altro by Guido Quarzo, published in the same series in 1997.