Name: African Cinema: Manifesto and Practice for Cultural Decolonization: Volume 1: Colonial Antecedents, Constituents, Theory, and Articulations (Studies in the Cinema of the Black Diaspora) (en Inglés)
Price: 361377.00 COP
Availability: InStock
Author: Martin Michael T.,Kaboré Gaston Jean-Marie,Martin Michael T.
ISBN: 9780253066206

portada African Cinema: Manifesto and Practice for Cultural Decolonization: Volume 1: Colonial Antecedents, Constituents, Theory, and Articulations (Studies in the Cinema of the Black Diaspora) (en Inglés)

African Cinema: Manifesto and Practice for Cultural Decolonization: Volume 1: Colonial Antecedents, Constituents, Theory, and Articulations (Studies in the Cinema of the Black Diaspora) (en Inglés)

Formato

Libro Físico

Editorial

Indiana University Press

Autor

Martin Michael T.,Kaboré Gaston Jean-Marie,Martin Michael T.

Idioma

Inglés

N° páginas

638

Encuadernación

Tapa Dura

ISBN13

9780253066206

African Cinema: Manifesto and Practice for Cultural Decolonization: Volume 1: Colonial Antecedents, Constituents, Theory, and Articulations (Studies in the Cinema of the Black Diaspora) (en Inglés)

Martin Michael T.,Kaboré Gaston Jean-Marie,Martin Michael T. (Autor) · Indiana University Press · Tapa Dura

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Reseña del libro "African Cinema: Manifesto and Practice for Cultural Decolonization: Volume 1: Colonial Antecedents, Constituents, Theory, and Articulations (Studies in the Cinema of the Black Diaspora) (en Inglés)"

Challenging established views and assumptions about traditions and practices of filmmaking in the African diaspora, this three-volume set offers readers a researched critique on black film. Volume One of this landmark series on African cinema draws together foundational scholarship on its history and evolution. Beginning with the ideological project of colonial film to legitimize the economic exploitation and cultural hegemony of the African continent during imperial rule to its counter-historical formation and theorization. It comprises essays by film scholars and filmmakers alike, among them Roy Armes, Med Hondo, Fèrid Boughedir, Haile Gerima, Oliver Barlet, Teshome Gabriel, and David Murphy, including three distinct dossiers: a timeline of key dates in the history of African cinema; a comprehensive chronicle and account of the contributions by African women in cinema; and a homage and overview of Ousmane Sembène, the "Father" of African cinema.