Name: Being Time: Case Studies in Musical Temporality (en Inglés)
Price: 185800.00 COP
Availability: InStock
Author: Richard (University Of Wolverhampton, Uk) Glover; Bryn (University Of Huddersfield, Uk) Harrison; Jennie (Independent Scholar, Usa) Gottschalk
ISBN: 9781623564940

portada Being Time: Case Studies in Musical Temporality (en Inglés)

Being Time: Case Studies in Musical Temporality (en Inglés)

Formato

Libro Físico

Editorial

Continuum Publishing Corporation

Autor

Richard (University Of Wolverhampton, Uk) Glover; Bryn (University Of Huddersfield, Uk) Harrison; Jennie (Independent Scholar, Usa) Gottschalk

Año

2018

Idioma

Inglés

N° páginas

200

Encuadernación

Tapa Blanda

ISBN13

9781623564940

Categorías

Reseña y crítica musicales
Historia de la música

Being Time: Case Studies in Musical Temporality (en Inglés)

Richard (University Of Wolverhampton, Uk) Glover; Bryn (University Of Huddersfield, Uk) Harrison; Jennie (Independent Scholar, Usa) Gottschalk (Autor) · Continuum Publishing Corporation · Tapa Blanda

Libro Nuevo Importado

Envío: 18 a 24 días háb.

$ 371.600$ 185.800

-50%

Costos de importación incluídos en el precio ✅

Libro Nuevo

Quedan 100 unidades

$ 185.800

¡Envío Gratis! Llega entre el 17 Jul y el 29 Jul a Bogota, Cundinamarca. Seleccionar ubicación

Agregar a lista de deseos

Reseña del libro "Being Time: Case Studies in Musical Temporality (en Inglés)"

Being Time invites a deep consideration of the personal experience of temporality in music, focusing on the perceptual role of the listener. Through individual case studies, this book centers on musical works that deal with time in radical ways. These include pieces by Morton Feldman, James Saunders, Chiyoko Szlavnics, Ryoji Ikeda, Toshiya Tsunoda, Laurie Spiegel and Andre O. Moeller. Multiple perspectives are explored through a series of encounters, initially between an individual and a work, and subsequently with each author's varying experiences of temporality. The authors compare their responses to features such as repetition, speed, duration and scale from a perceptual standpoint, drawing in reflections on aspects such as musical memory and anticipation. The observations made in this book are accessible and relevant to readers who are interested in exploring issues of temporality from a broad range of disciplinary perspectives.