Name: British Poetry 1964 to 1984 (Routledge Revivals) (en Inglés)
Price: 445262.00 COP
Availability: InStock
Author: Martin Booth
ISBN: 9781041058861

portada British Poetry 1964 to 1984 (Routledge Revivals) (en Inglés)

British Poetry 1964 to 1984 (Routledge Revivals) (en Inglés)

Formato

Libro Físico

Editorial

Routledge

Autor

Martin Booth

Idioma

Inglés

N° páginas

278

Encuadernación

Tapa Dura

ISBN13

9781041058861

British Poetry 1964 to 1984 (Routledge Revivals) (en Inglés)

Martin Booth (Autor) · Routledge · Tapa Dura

Libro Nuevo Importado

Envío: 21 a 25 días háb.

$ 890.523$ 445.262

-50%

Costos de importación incluídos en el precio ✅

Libro Nuevo

Quedan más de 100 unidades

$ 445.262

¡Envío Gratis! Llega entre el 31 Ago y el 07 Sep a Bogota, Cundinamarca. Seleccionar ubicación

Agregar a lista de deseos

Reseña del libro "British Poetry 1964 to 1984 (Routledge Revivals) (en Inglés)"

First published in 1985, British Poetry presents a personal and political account of British poetry from 1964 to 1984. Martin booth, himself a poet, poetry publisher, critic and editor, and the participant in poetry readings in Britain and overseas, shows that British poetry underwent a renaissance in the ten years from around 1964: poetry became a major popular art form, shaking off its shackles of elitism and academicism; poetry readings flourished, whether live or on the air and audiences increased; many new poets found willing publishers. He looks at the manner in which British poetry rose, only to fall back into a morbid sleek artiness where he sees it laying today, once again a narrow art for the literary educated and the initiated.The book aims to reverse this change of direction so that British poetry may once again have the impact it briefly had in its recent heyday. Martin Booth also provides a general guide to the period, with much comment included from those who were involved in the act of keeping British poetry going in those exciting years. He deals with the poets themselves, with the publishing of poetry, and poetry magazines, and his 'non-literary', 'non-academic' approach will appeal to all those who have an interest in modern British verse.