Name: Concerning the Spiritual in Art and Painting in Particular [An Updated Version of the Sadleir Translation] (en Inglés)
Price: 46916.00 COP
Availability: InStock
Author: Kandinsky, Wassily ; Sadleir, Michael ; Golffing, Francis
ISBN: 9781614276654

portada Concerning the Spiritual in Art and Painting in Particular [An Updated Version of the Sadleir Translation] (en Inglés)

Concerning the Spiritual in Art and Painting in Particular [An Updated Version of the Sadleir Translation] (en Inglés)

Formato

Libro Físico

Autor

Traducido por

Editorial

Idioma

Inglés

N° páginas

Encuadernación

Tapa Blanda

Dimensiones

24.6 x 18.9 x 0.5 cm

Peso

0.19 kg.

ISBN13

9781614276654

Categorías

Artes: aspectos generales
Pintura y obra pintada
Los colores y la teoría del color

Concerning the Spiritual in Art and Painting in Particular [An Updated Version of the Sadleir Translation] (en Inglés)

Wassily Kandinsky (Autor) · Michael Sadleir (Traducido por) · Francis Golffing (Traducido por) · Martino Fine Books · Tapa Blanda

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Reseña del libro "Concerning the Spiritual in Art and Painting in Particular [An Updated Version of the Sadleir Translation] (en Inglés)"

2014 Reprint of 1947 Edition. Full facsimile of the original edition, not reproduced with Optical Recognition Software. An updated version of the Sadleir translation, with considerable re-translation by Francis Golffing, Michael Harrison and Ferdinand Ostertag. Published in 1912, Kandinsky's book defines three types of painting; impressions, improvisations and compositions. While impressions are based on an external reality that serves as a starting point, improvisations and compositions depict images emergent from the unconscious, though composition is developed from a more formal point of view. Kandinsky compares the spiritual life of humanity to a pyramid-the artist has a mission to lead others to the pinnacle with his work. The point of the pyramid is occupied by few great artists. It is a spiritual pyramid, advancing and ascending slowly even if it sometimes appears immobile. During decadent periods, the soul sinks to the bottom of the pyramid; humanity searches only for external success, ignoring spiritual forces. This edition contains a new introduction by Nina Kandinsky, his widow, providing Kandinsky's own corrections and additions for a new edition that never appeared in his lifetime. She has also written for this edition a memoir of Kandinsky's development.