Name: Flesh, Gold and Wood: The Saint-Denis Altarpiece in Liege and the Question of Partial Paint Practices in the 16th Century: Proceedings of th (en Inglés)
Price: 295139.00 COP
Availability: InStock
Author: Mercier, E. ; de Boodt, R. ; Kairis, P. -Y
ISBN: 9782930054407

portada Flesh, Gold and Wood: The Saint-Denis Altarpiece in Liege and the Question of Partial Paint Practices in the 16th Century: Proceedings of th (en Inglés)

Flesh, Gold and Wood: The Saint-Denis Altarpiece in Liege and the Question of Partial Paint Practices in the 16th Century: Proceedings of th (en Inglés)

Formato

Libro Físico

Editorial

Brepols Publishers

Autor

Mercier, E. ; de Boodt, R. ; Kairis, P. -Y

Idioma

Inglés

N° páginas

484

Encuadernación

Tapa Dura

Peso

2.19 kg.

ISBN13

9782930054407

Categorías

Europa
Relativo a grupos religiosos/comunidades religiosas
Estilo medieval
Historia del arte
Arte religioso y ceremonial

Flesh, Gold and Wood: The Saint-Denis Altarpiece in Liege and the Question of Partial Paint Practices in the 16th Century: Proceedings of th (en Inglés)

Mercier, E. ; De Boodt, R. ; Kairis, P. -Y (Autor) · Brepols Publishers · Tapa Dura

Libro Nuevo Importado

Envío: 20 a 25 días háb.

$ 590.277$ 295.139

-50%

Costos de importación incluídos en el precio ✅

Libro Nuevo

Quedan más de 100 unidades

$ 295.139

¡Envío Gratis! Llega entre el 19 Ago y el 27 Ago a Bogota, Cundinamarca. Seleccionar ubicación

Agregar a lista de deseos

Reseña del libro "Flesh, Gold and Wood: The Saint-Denis Altarpiece in Liege and the Question of Partial Paint Practices in the 16th Century: Proceedings of th (en Inglés)"

The impressive altarpiece in the church of Saint-Denis in Liege is one of the most prestigious but also one of the most enigmatic witnesses to the rich Brabantine altarpiece production at the end of the Middle Ages. The interdisciplinary study carried out during its restoration at the Royal Institute for Cultural Heritage (KIK-IRPA) in Brussels between 2012 and 2014 allowed to resolve some of the questions involved and to propose new refreshing hypotheses. The attribution to the Borman, the most prestigious Brussels sculptor family, was refined, as was its dating in the early 1530s, when the vocabulary of Italian Renaissance began to invade the art of the Meuse banks simultaneously with the still well-anchored Gothic style. This volume provides a broad platform for the exceptional character of the partial polychromy of the altarpiece, highlighted by the investigation conducted at the KIK-IRPA. This research was nourished by many comparative reflections. The abundant and varied studies presented here, mainly originate from an international conference held in October 2015. In addition, the restoration at KIK-IRPA, between 2016 and 2019, of some of the painted panels that initially adorned the shutters of the altarpiece, also allowed a beneficial reconsideration of the participation of the great Liege painter Lambert Lombard and some local workshop. Starting from an amazing work, they represent an important part of the artistic activity in Liege revived by Prince-Bishop Erard de La Marck.