Name: german art history and scientific thought (en Inglés)
Price: 726800.00 COP
Availability: InStock
Author: Frank, Mitchell B. ; Adler, Daniel
ISBN: 9781409440239

portada german art history and scientific thought (en Inglés)

Formato

Libro Físico

Ilustrado por

Mitchell B. Frank

Daniel Adler

Editorial

Routledge

Autor

Frank, Mitchell B. ; Adler, Daniel

Idioma

Inglés

N° páginas

208

Encuadernación

Tapa Dura

Dimensiones

23.4 x 15.6 x 1.3 cm

Peso

0.47 kg.

ISBN

1409440230

ISBN13

9781409440239

Categorías

Historia del arte
Modernismo
Aspectos generales del arte
Enseñanza sobre materias específicas

german art history and scientific thought (en Inglés)

Mitchell B. Frank (Ilustrado por) · Daniel Adler (Ilustrado por) · Routledge · Tapa Dura

Libro Físico

$ 726.800

$ 1.118.154

Ahorras: $ 391.354

35% descuento

Envío normal

Origen: Reino Unido (Costos de importación incluídos en el precio)

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Reseña del libro "german art history and scientific thought (en Inglés)"

A fresh contribution to the ongoing debate between Kunstwissenschaft (scientific study of art) and Kunstgeschichte (art history), this essay collection explores how German-speaking art historians of the late nineteenth and early twentieth century self-consciously generated a field of study. Prominent North American and European scholars provide new insights into how a mixing of diverse methodologies took place, in order to gain a more subtle and comprehensive understanding of how art history became institutionalized and legitimized in Germany. One common assumption about early art-historical writing in Germany is that it depended upon a simplistic and narrowly-defined formalism. This book helps to correct this stereotype by demonstrating the complexity of discussion surrounding formalist concerns, and by examining how German-speaking art historians borrowed, incorporated, stole, and made analogies with concepts from the sciences in formulating their methods. In focusing on the work of some of the well-known 'fathers' of the discipline - such as Alois Riegl and Heinrich Wölfflin - as well as on lesser-known figures, the essays in this volume provide illuminating, and sometimes surprising, treatments of art history's prior and understudied interactions with a wide range of scientific orientations, from psychology, sociology, and physiognomics to evolutionism and comparative anatomy.