Name: Jay Defeo and the Rose (en Inglés)
Price: 273036.00 COP
Availability: InStock
Author: Green, Jane ; Levy, Leah
ISBN: 9780520233553

portada Jay Defeo and the Rose (en Inglés)

Formato

Libro Físico

Editorial

University of California Press

Autor

Green, Jane ; Levy, Leah

Año

2003

Idioma

Inglés

N° páginas

194

Encuadernación

Tapa Dura

Dimensiones

25.5 x 20.1 x 2.1 cm

Peso

0.83 kg.

ISBN

0520233557

ISBN13

9780520233553

Categorías

Estados unidos de américa
Artes: aspectos generales
Historia del arte

Jay Defeo and the Rose (en Inglés)

Green, Jane ; Levy, Leah (Autor) · University of California Press · Tapa Dura

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Reseña del libro "Jay Defeo and the Rose (en Inglés)"

Rarely is an artist so closely associated with a single work as is Jay DeFeo with her monumental painting The Rose. Begun in the late 1950s, when DeFeo, a central figure of the Beat generation of San Francisco, was just starting to garner widespread national recognition, the visionary work occupied the artist for eight years. Massive in scale, layered with nearly two thousand pounds of paint, the overpowering painting was already famous before its first exhibition in 1969 at the Pasadena Art Museum. It was next exhibited in San Francisco, then stored at the San Francisco Art Institute, where it languished for twenty-five years before a historic conservation restored it to public view. The Rose now resides in the collection of the Whitney Museum of American Art.This volume is the first major study of The Rose in particular and of Jay DeFeo in general. In the collection, eleven distinguished art and cultural historians--Bill Berkson, Niccolo Caldararo, Richard Cándida Smith, Walter Hopps, Lucy R. Lippard, Greil Marcus, Sandra S. Phillips, Marla Prather, Carter Ratcliff, David A. Ross, and Martha Sherrill--unfold the story of the creation, as well as the tricky and painstaking rescue, of DeFeo's radiant masterpiece. While providing new material on The Rose and exposing many myths surrounding both the artist and her great work, these essays also place Jay DeFeo in relation to artists of her time, including Jasper Johns, Robert Rauschenberg, Lee Bontecou, and Eva Hesse. The book, which adds significantly to the scholarship of postwar American art, includes nearly eighty halftones, thirteen color plates, and Judith Dunham's detailed Rose-related chronology.