Name: Most German of the Arts: Musicology and Society From the Weimar Republic to the end of Hitlers Reich (en Inglés)
Price: 292050.00 COP
Availability: InStock
Author: Pamela M. Potter
ISBN: 9780300072280

portada Most German of the Arts: Musicology and Society From the Weimar Republic to the end of Hitlers Reich (en Inglés)

Formato

Libro Físico

Editorial

Yale University Press

Autor

Pamela M. Potter

Año

1998

Idioma

Inglés

N° páginas

384

Encuadernación

Tapa Dura

ISBN

0300072287

ISBN13

9780300072280

N° edición

Categorías

Reseñas y críticas musicales
Historia de la música

Most German of the Arts: Musicology and Society From the Weimar Republic to the end of Hitlers Reich (en Inglés)

Pamela M. Potter (Autor) · Yale University Press · Tapa Dura

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Origen: Estados Unidos (Costos de importación incluídos en el precio)

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Reseña del libro "Most German of the Arts: Musicology and Society From the Weimar Republic to the end of Hitlers Reich (en Inglés)"

This important book investigates the role played by German musicology in buttressing Nazi institutions and ideology. Pamela Potter examines the social, economic, and intellectual factors that caused some German musical scholars to support with such fervor the ideological aims of the Nazis. She argues convincingly that many of the ideas that served the regime not only predated Hitler’s rise to power but survived the Nazi period to influence the conception of music history―including that of American musical scholarship―down to the present time. Potter reveals that prominent German musicologists went beyond other scholars in serving the state by publicizing the German musical legacy as a source of national pride; exploring politically relevant research topics, including pseudo-scientific race theories; and participating in the Germanization of occupied and annexed territories during World War II. Nazi leaders recognized musicology’s potential service to Nazi causes, says Potter, and musicological ventures enjoyed generous support from the government, party, and SS. Scrutinizing private papers, archives, and rare publications, Potter breaks the silence imposed by the postwar German musicological establishment and demonstrates the extent to which the entire profession was politicized during the Nazi era.