Name: Practical Discourses on the Most Noble Art of Painting (en Inglés)
Price: 232908.00 COP
Availability: InStock
Author: Martínez, Jusepe ; Véliz, Zahira ; McGrath, David
ISBN: 9781606065280

portada Practical Discourses on the Most Noble Art of Painting (en Inglés)

Practical Discourses on the Most Noble Art of Painting (en Inglés)

Formato

Libro Físico

Autor

Jusepe Martínez

Traducido por

David McGrath

Ilustrado por

Zahira Véliz

Editorial

Getty Research Institute

Idioma

Inglés

N° páginas

144

Encuadernación

Tapa Blanda

Dimensiones

25.4 x 17.8 x 1.5 cm

Peso

0.54 kg.

ISBN13

9781606065280

Categorías

Europa
Artes: aspectos generales
Pintura y obra pintada
Historia del arte
Artes: técnicas y principios artísticos

Practical Discourses on the Most Noble Art of Painting (en Inglés)

Jusepe Martínez (Autor) · David McGrath (Traducido por) · Zahira Véliz (Ilustrado por) · Getty Research Institute · Tapa Blanda

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Reseña del libro "Practical Discourses on the Most Noble Art of Painting (en Inglés)"

Jusepe Martínez's Practical Discourses on the Most Noble Art of Painting (ca. 1673-75), though little known today, was highly influential on art, artists, and artistic practice and theory in Spain long after its publication. This volume is the first English translation of the Discourses, which, while circulated in manuscript copies, was not even published until the mid-nineteenth century. Martínez wrote the Discourses toward the end of his life as a well-traveled professional artist who had studied and worked in Italy and the major artistic and literary centers of Spain; his ideas were especially enriched by his participation in the elevated cultural life of his native Aragonese school. His discussions on art offer anecdotal knowledge from his friendships with many of the principal artists of Spain's Golden Age, including Diego Velázquez and Alonso Cano, as well as writers and intellectuals of the period. Martínez's text stands out for a nuanced humanism that is rare in practical treatises. Along with his original ideas on handling, pictorial aesthetics, and the vocation of painting, his work has even more affinities with philosophical discourses than with artists' practical instructional books. Zahira Véliz's introduction and notes provide historical context and situate Martínez's ideas in his rich cultural milieu.