Name: provenance: an alternate history of art (en Inglés)
Price: 226168.00 COP
Availability: InStock
Author: Feigenbaum, Gail ; Reist, Inge
ISBN: 9781606061220

portada provenance: an alternate history of art (en Inglés)

Formato

Libro Físico

Ilustrado por

Gail Feigenbaum

Inge Reist

Editorial

Getty Research Institute

Autor

Feigenbaum, Gail ; Reist, Inge

Año

2013

Idioma

Inglés

N° páginas

224

Encuadernación

Tapa Blanda

Dimensiones

25.4 x 17.8 x 1.5 cm

Peso

0.68 kg.

ISBN

1606061224

ISBN13

9781606061220

Categorías

Aspectos generales del arte
Historia del arte
Técnicas y principios artísticos

provenance: an alternate history of art (en Inglés)

Gail Feigenbaum (Ilustrado por) · Inge Reist (Ilustrado por) · Getty Research Institute · Tapa Blanda

Libro Nuevo

$ 226.168

$ 376.946

Ahorras: $ 150.778

40% descuento

Envío normal

Origen: Estados Unidos (Costos de importación incluídos en el precio)

Se enviará desde nuestra bodega entre el Miércoles 19 de Junio y el Viernes 28 de Junio.

Lo recibirás en cualquier lugar de Colombia entre 1 y 5 días hábiles luego del envío.

Reseña del libro "provenance: an alternate history of art (en Inglés)"

This book goes beyond the narrow definition of the term provenance, which addresses only the bare facts of ownership and transfer, to explore ideas about the origins and itineraries of objects, consider the historical uses of provenance research, and draw attention to the transformative power of ownership. The result is a volume of essays that makes a strong case for recuperating provenance--what contributing author Anne Higonnet calls "so many epic tales compressed into such dry lists"--for the history of art. Provenance attends to the social life of art, a work's biography subsequent to the moment of its origin. Provenance: An Alternate History of Art offers a broad perspective that ranges from ancient archaeology to conceptual art, that encompasses Europe, Asia, and the Americas, and considers a variety of media. The essays demonstrate in myriad ways how an owner's relationship with a work of art or, in varying degrees, with the object's previous owners, can change irrevocably the way the work will be perceived and understood by future generations. Limiting the scope of provenance to only the highly charged context of international legal custody battles or the painstakingly researched lists of names and dates in archives and catalogs is entirely insufficient to the richness of the subject. By considering provenance in its critical and theoretical dimensions, this volume endeavors to integrate this alternate narrative into art history.