Name: Salsa Consciente: Politics, Poetics, and Latinidad in the Meta-Barrio (en Inglés)
Price: 228960.00 COP
Availability: InStock
Author: Espinoza Agurto, Andrés
ISBN: 9781611864014

portada Salsa Consciente: Politics, Poetics, and Latinidad in the Meta-Barrio (en Inglés)

Salsa Consciente: Politics, Poetics, and Latinidad in the Meta-Barrio (en Inglés)

Formato

Libro Físico

Autor

Andrés Espinoza Agurto

Editorial

Michigan State University Press

Idioma

Inglés

N° páginas

340

Encuadernación

Tapa Blanda

Dimensiones

22.6 x 15.2 x 2.3 cm

Peso

0.48 kg.

ISBN13

9781611864014

Categorías

México, centroamérica, sudamérica, latinoamérica
Estilo latino
Teoría de la música y musicología
Músicas del mundo y estilos regionales
Historia de américa

Salsa Consciente: Politics, Poetics, and Latinidad in the Meta-Barrio (en Inglés)

Andrés Espinoza Agurto (Autor) · Michigan State University Press · Tapa Blanda

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Reseña del libro "Salsa Consciente: Politics, Poetics, and Latinidad in the Meta-Barrio (en Inglés)"

This volume explores the significations and developments of the Salsa consciente movement, a Latino musico-poetic and political discourse that exploded in the 1970s but then dwindled in momentum into the early 1990s. This movement is largely linked to the development of Nuyolatino popular music brought about in part by the mass Latino migration to New York City beginning in the 1950s and the subsequent social movements that were tied to the shifting political landscapes. Defined by its lyrical content alongside specific sonic markers and political and social issues facing U.S. Latinos and Latin Americans, Salsa consciente evokes the overarching cultural-nationalist idea of Latinidad (Latin-ness). Through the analysis of over 120 different Salsa songs from lyrical and musical perspectives that span a period of over sixty years, the author makes the argument that the urban Latino identity expressed in Salsa consciente was constructed largely from diasporic, deterritorialized, and at times imagined cultural memory, and furthermore proposes that the Latino/Latin American identity is in part based on African and Indigenous experience, especially as it relates to Spanish colonialism. A unique study on the intersection of Salsa and Latino and Latin American identity, this volume will be especially interesting to scholars of ethnic studies and musicology alike.