Name: Sensing art in the Atmosphere: Elemental Lures and Aerosolar Practices (Ambiances, Atmospheres and Sensory Experiences of Spaces) (en Inglés)
Price: 462981.00 COP
Availability: InStock
Author: Sasha Engelmann
ISBN: 9780367220358

portada Sensing art in the Atmosphere: Elemental Lures and Aerosolar Practices (Ambiances, Atmospheres and Sensory Experiences of Spaces) (en Inglés)

Formato

Libro Físico

Editorial

Routledge

Autor

Sasha Engelmann

Año

2020

Idioma

Inglés

N° páginas

192

Encuadernación

Tapa Dura

ISBN13

9780367220358

N° edición

Categorías

Política y protocolos medioambientales

Sensing art in the Atmosphere: Elemental Lures and Aerosolar Practices (Ambiances, Atmospheres and Sensory Experiences of Spaces) (en Inglés)

Sasha Engelmann (Autor) · Routledge · Tapa Dura

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Reseña del libro "Sensing art in the Atmosphere: Elemental Lures and Aerosolar Practices (Ambiances, Atmospheres and Sensory Experiences of Spaces) (en Inglés)"

This book engages artistic interventions in the aerial elements to investigate the aesthetics and politics of atmosphere. Sensing Art in the Atmosphere: Elemental Lures and Aerosolar Practices traces the potential of artistic, community-driven experiments to amplify our sensing of atmosphere, marrying attentions to atmospheric affect with visceral awareness of the materials, institutions and processes hovering in the air. Drawing on six years of practice-led research with artistic and activist initiatives Museo Aero Solar and Aerocene, initiated by artist Tomás Saraceno, each chapter develops creative relations to atmosphere from the studio to stratospheric currents. Through narrative-led writing, the voices of artists and collaborators are situated and central. In dialogue with these aerographic stories and sites, the book develops a notion of elemental lures: the sensual and imaginative propositions of aerial, atmospheric and meteorological phenomena. The promise of elemental lures, Engelmann suggests, is to reconcile our sensing of atmosphere with the myriad social, cultural and political forces suspended in it. Through tales of floating journeys, shared envelopes of breath and surreal levitations, the book foregrounds the role of art in crafting alternative modes of perceiving, moving and imagining (in) the air. The book ends with a call for elemental experiments in the geohumanities. It makes an important and original contribution to elemental geographies, the geohumanities and interdisciplinary scholarship on air and atmosphere.