Compartir
The Last Isle: Contemporary Film, Culture and Trauma in Global Taiwan (Place, Memory, Affect) (en Inglés)
Sheng-Mei Ma (Autor)
·
Rowman & Blittlefield International
· Tapa Dura
The Last Isle: Contemporary Film, Culture and Trauma in Global Taiwan (Place, Memory, Affect) (en Inglés) - Sheng-Mei Ma
$ 891.548
$ 1.371.612
Ahorras: $ 480.064
Elige la lista en la que quieres agregar tu producto o crea una nueva lista
✓ Producto agregado correctamente a la lista de deseos.
Ir a Mis Listas
Origen: Estados Unidos
(Costos de importación incluídos en el precio)
Se enviará desde nuestra bodega entre el
Viernes 07 de Junio y el
Viernes 21 de Junio.
Lo recibirás en cualquier lugar de Colombia entre 1 y 5 días hábiles luego del envío.
Reseña del libro "The Last Isle: Contemporary Film, Culture and Trauma in Global Taiwan (Place, Memory, Affect) (en Inglés)"
Taiwan is in danger of becoming the last isle, losing its sovereignty and identity. The Last Isle opens from where Taiwan film scholarship leaves off—the 1980s Taiwan New Cinema, focusing on relatively unknown contemporary films that are “unglobalizable,” such as Cape No. 7, Island Etude, Din Tao, and Seven Days in Heaven. It explores Taiwan films’ inextricability with trauma theory, the irony of loving and mourning Taiwan, multilingualism, local beliefs, and theatrical practices, including Ang Lee’s “white” films. The second half of the book analyzes Taiwan’s popular culture in Western-style food and drink, conditions over living and dying, and English education, concluding with the source of Taiwan’s anxiety—China. This book distinguishes itself from Taiwan scholarship in its stylistic crazy quilt of the scholarly interwoven with the personal, evidenced right from the outset in the poetic title “The Last Isle,” coupled with the “dissertating” subtitle. This approach intertwines the helix of reason and affect, scholarship and emotion. The Last Isle accomplishes a look at globalization from the bottom up, from a global Taiwan whose very existence is in doubt.
