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portada The Loft Generation: From the de Koonings to Twombly: Portraits and Sketches, 1942-2011 (en Inglés)
Formato
Libro Físico
Ilustrado por
Editorial
Idioma
Inglés
N° páginas
336
Encuadernación
Tapa Blanda
Dimensiones
20.8 x 13.7 x 2.5 cm
Peso
0.24 kg.
ISBN13
9781250858726

The Loft Generation: From the de Koonings to Twombly: Portraits and Sketches, 1942-2011 (en Inglés)

Edith Schloss (Autor) · Mary Venturini (Ilustrado por) · Picador USA · Tapa Blanda

The Loft Generation: From the de Koonings to Twombly: Portraits and Sketches, 1942-2011 (en Inglés) - Schloss, Edith ; Venturini, Mary

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Reseña del libro "The Loft Generation: From the de Koonings to Twombly: Portraits and Sketches, 1942-2011 (en Inglés)"

A bristling and brilliant memoir of the mid-twentieth-century New York School of painters and their times by the renowned artist and critic Edith Schloss, who, from the early years, was a member of the group that shifted the center of the art world from Paris to New York The Loft Generation: From the de Koonings to Twombly; Portraits and Sketches, 1942-2011 is an invaluable account by an artist at the center of a landmark era in American art. Edith Schloss writes about the painters, poets, and musicians who were part of the postwar movements and about her life as an artist in New York and later in Italy, where she continued to paint and write until her death in 2011. Schloss was born in Germany and moved to New York City during World War II. She became part of a thriving community of artists and intellectuals that included Elaine and Willem de Kooning, Larry Rivers, John Cage, and Frank O'Hara. She married the photographer and filmmaker Rudy Burckhardt. She was both a working artist and an incisive critic, and was a candid and gimlet-eyed witness of the close-knit community that was redefining the world of art. In Italy she spent time with Giorgio Morandi, Cy Twombly, Meret Oppenheim, and Francesca Woodman. In The Loft Generation, Schloss creates a rare and irreplaceable up-close record of an era of artistic innovation and the colorful characters who made it happen. Her canny observations are indispensable reading for all critics and researchers of this vital period in American art.

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El libro está escrito en Inglés.
La encuadernación de esta edición es Tapa Blanda.

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