Name: The Moscow Yiddish Theater: Art on Stage in the Time of Revolution (en Inglés)
Price: 46493.00 COP
Availability: InStock
Author: Benjamin Harshav
ISBN: 9780300115130

portada The Moscow Yiddish Theater: Art on Stage in the Time of Revolution (en Inglés)

Formato

Libro Físico

Editorial

Yale University Press

Autor

Benjamin Harshav

Año

2007

Idioma

Inglés

N° páginas

198

Encuadernación

Tapa Dura

Peso

ISBN

030011513X

ISBN13

9780300115130

N° edición

Categorías

Judíos
Historia social y cultural

The Moscow Yiddish Theater: Art on Stage in the Time of Revolution (en Inglés)

Benjamin Harshav (Autor) · Yale University Press · Tapa Dura

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Origen: Estados Unidos (Costos de importación incluídos en el precio)

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Reseña del libro "The Moscow Yiddish Theater: Art on Stage in the Time of Revolution (en Inglés)"

“The tasks of world theater serve us as the tasks of our theater, and only language distinguishes us from others.”―A. Granovsky, first director, GOSET The Moscow Yiddish Theater (later called GOSET) was born in 1919 and almost immediately became one of the most remarkable avant-garde theaters in Europe. It flourished in the 1920s but under Bolshevik pressure soon lost much of the originality that had distinguished it. In 1948 Stalin’s henchmen slaughtered GOSET’s legendary actor and director Solomon Mikhoels, and the theater was liquidated. This book focuses not on how the theater was persecuted but on its ambitious beginnings as a revolutionary organization of passionate artistic exploration. The book brings to English readers for the first time selected writings that reflect the aesthetics and politics of the Yiddish revolutionary theater. The book also incorporates miraculously salvaged images of Marc Chagall’s famous theater murals, as well as paintings of costumes and stage sets created by the best artists of the day. These illustrations, discovered only after the fall of the Soviet Union, have never been published before. With emphasis on the theater’s early achievements and its centrality in Moscow’s burgeoning theater world, the book makes a major contribution to the understanding of modern Jewish culture and the art of theater.