Name: The Wedekind Cabaret (en Inglés)
Price: 99328.00 COP
Availability: InStock
Author: Eric Bentley
ISBN: 9780573660252

portada The Wedekind Cabaret (en Inglés)

Formato

Libro Físico

Editorial

Samuel French Trade

Autor

Eric Bentley

Año

2008

Idioma

Inglés

N° páginas

Encuadernación

Tapa Blanda

ISBN

0573660255

ISBN13

9780573660252

The Wedekind Cabaret (en Inglés)

Eric Bentley (Autor) · Samuel French Trade · Tapa Blanda

Libro Físico

$ 99.328

$ 165.547

Ahorras: $ 66.219

40% descuento

Envío normal

Origen: Estados Unidos (Costos de importación incluídos en el precio)

Se enviará desde nuestra bodega entre el Lunes 10 de Junio y el Lunes 24 de Junio.

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Reseña del libro "The Wedekind Cabaret (en Inglés)"

Translated and adapted by Eric Bentley Music by Arnold Black, William Bolcom, Lucas Mason, and Peter Winkler Flexible casting, 1m., 1f. or expanded to more actors as needed /Musical Revue A first draft of this entertainment was produced at The Ballroom in New York City in 1994, starring Alvin Epstein and directed by Isaiah Sheffer. Howard Kissel, Daily News, commented: "Bentley's pungent translations of Wedekind's lyrics have been set deftly by three composers, Arnold Black, William Bolcom and Peter Winkler... Tingle Tangle [as the work was then called] is well performed and invariably fascinating." For the Wedekind renaissance of the 21st century Eric Bentley has re-arranged the material and added to it. The piece now consists of two cabaret programs which could be performed together in one long evening or separately. The first program is framed by two Bentley ballads telling the stories of Spring's Awakening and The First Lulu, respectively. Within that frame is a varied series of Wedekind songs and spoken poems. The second program is framed by two Wedekind short stories, neither of them ever before presented on an American (or any other) stage. Within this second frame come poems and songs in which we meet another Wedekind, a wild poet who also had a tender, even elegiac side. The two-part show ends with a song by Eric Bentley and Arnold Black which celebrates, not Wedekind the rebel, but Wedekind the artist.