Name: Analytical Strategies and Musical Interpretation Paperback: Essays on Nineteenth- and Twentieth-Century Music (en Inglés)
SKU: 19216212
Price: 221559.00 COP
Availability: InStock
Author: Ayrey, Craig ; Everist, Mark
ISBN: 9780521543972

portada Analytical Strategies and Musical Interpretation Paperback: Essays on Nineteenth- and Twentieth-Century Music (en Inglés)

Analytical Strategies and Musical Interpretation Paperback: Essays on Nineteenth- and Twentieth-Century Music (en Inglés)

Formato

Libro Físico

Ilustrado por

Mark Everist

Craig Ayrey

Editorial

Cambridge University Press

Autor

Ayrey, Craig ; Everist, Mark

Año

2004

Idioma

Inglés

N° páginas

336

Encuadernación

Tapa Blanda

Dimensiones

24.4x18.9x1.9 cm

Peso

0.60 kg.

ISBN

0521543975

ISBN13

9780521543972

Categorías

Reseña y crítica musicales
Historia de la música

Analytical Strategies and Musical Interpretation Paperback: Essays on Nineteenth- and Twentieth-Century Music (en Inglés)

Mark Everist (Ilustrado por) · Craig Ayrey (Ilustrado por) · Cambridge University Press · Tapa Blanda

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Reseña del libro "Analytical Strategies and Musical Interpretation Paperback: Essays on Nineteenth- and Twentieth-Century Music (en Inglés)"

This book is devoted to music analysis as an interpretive activity. Interpretation is often considered only in theory, or as a philosophical problem, but this book attempts to demonstrate and reflect on the interpretive results of analysis. Two associated types of practice are emphasised: 'translation', the transformation of one type of experience or art object into the musical work, the artistic attempt to persuade us that the new product is as valid as its original, or more so than its origin; and 'rhetoric', the attempt to persuade us, through structure, to accept the signifying power of the work. The unifying theme of the essays is the interpretive transformation of concepts, ideas and forms that constitutes the heart of the compositional process of nineteenth- and twentieth-century music. The repertoire discussed ranges from Schumann through Wagner, Mahler, Zemlinsky, Debussy, Schoenberg, Berg, Webern and Stravinsky to Carter and Birtwistle.