Name: Caribes 2.0: New Media, Globalization, and the Afterlives of Disaster (en Inglés)
Price: 496981.00 COP
Availability: InStock
Author: Arroyo, Jossianna
ISBN: 9781978819757

portada Caribes 2.0: New Media, Globalization, and the Afterlives of Disaster (en Inglés)

Caribes 2.0: New Media, Globalization, and the Afterlives of Disaster (en Inglés)

Formato

Libro Físico

Autor

Jossianna Arroyo

Editorial

Rutgers University Press

Idioma

Inglés

N° páginas

198

Encuadernación

Tapa Dura

ISBN13

9781978819757

Categorías

Islas del caribe
México, centroamérica, sudamérica, latinoamérica
Relativo a los grupos étnicos, los pueblos indígenas, las culturas, las tribus y otros grupos de personas
Arte de la «performance»
Estudios étnicos

Caribes 2.0: New Media, Globalization, and the Afterlives of Disaster (en Inglés)

Jossianna Arroyo (Autor) · Rutgers University Press · Tapa Dura

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Reseña del libro "Caribes 2.0: New Media, Globalization, and the Afterlives of Disaster (en Inglés)"

In Caribes 2.0, author Jossianna Arroyo looks at the Caribbean mediasphere in the twenty-first century. Arroyo argues that we have seen a return to tropes such as blackface, brownface, cultural and ethnic stereotypes, and violent representations of the poor, the marginalized, and the racialized. Caribes 2.0 looks at these tropes as well as the work of writers, vloggers, performers, and photographers that have become media figures or have used new media platforms to promote their work and examines how they are challenging and negotiating these media representations. It analyzes contemporary Caribbean cultures to discuss, taste, guides, and actions (social and virtual) that shape Caribbean global communities today. Departing from Edouard Glissant's insight that "Caribbean reality might not be accessed by remote control" the book considers what types of political and social agencies are created by mediation. Caribes 2.0 deviates from these historical-globalized views of subjected, colonized Caribbean bodies, and their material conditions, to examine the relationship between the local and the global in contemporary Caribbean cultures, and the role that media is playing in the invisibility or hyper-visibilty of Caribbean cultures in the islands and the U.S. diaspora.