Name: Dance Today. Studies-Notes-Portraits
Price: 202527.00 COP
Availability: InStock
Author: Andre Levinson;John Goodman
ISBN: 9780300243840

portada Dance Today. Studies-Notes-Portraits

Formato

Libro Físico

Editorial

Yale University Press

Autor

Andre Levinson;John Goodman

Año

2026

N° páginas

600

Encuadernación

Tapa Dura

Dimensiones

23.50 x 15.60 cm

ISBN13

9780300243840

Dance Today. Studies-Notes-Portraits

Andre Levinson;John Goodman (Autor) · Yale University Press · Tapa Dura

Libro Nuevo Importado

Envío: 21 a 27 días háb.

$ 368.230$ 202.527

-45%

Costos de importación incluídos en el precio ✅

Libro Nuevo

Quedan 20 unidades

$ 202.527

¡Envío Gratis! Llega entre el 07 Sep y el 16 Sep a Bogota, Cundinamarca. Seleccionar ubicación

Agregar a lista de deseos

Reseña del libro "Dance Today. Studies-Notes-Portraits"

An essential volume in the history of dance and its critical literature The French dance criticism of the Russian émigré André Levinson (1887–1933) set a new standard for the genre, regaling readers with a heady mix of formalist acumen, historical erudition, and aesthetic theory. Dance Today, first published in 1929, is Levinson’s most important book. An eloquent chronicle of dance performance in Paris from 1923 to 1928, it covers not just ballet, the mainstay of his critical vision, but the full array of the city’s offerings, from variety show numbers, “orientalist” programs, and “interpretive” modern dance to presentations of the rich Indigenous traditions of Spain, Indonesia, and Southeast Asia. Levinson’s celebrated pages on Anna Pavlova, Isadora Duncan, Josephine Baker, and La Argentina are here, together with his often acerbic assessments of Diaghilev’s Ballets Russes, the Ballets Suédois, and German modern dance, then dominated by Rudolf Laban and Mary Wigman. This translation, the first unabridged edition in any language since 1929, includes a substantial introduction reframing Levinson’s French career, annotations that identify obscure works and clarify his many recondite allusions, and, as an appendix, the first English rendering of his pioneering essay on Mallarmé’s dance writing, which greatly influenced his critical thinking.