Name: Dramaturgy in Motion: At Work on Dance and Movement Performance (Studies in Dance History) (en Inglés)
Price: 113161.00 COP
Availability: InStock
Author: Profeta, Katherine
ISBN: 9780299305949

portada Dramaturgy in Motion: At Work on Dance and Movement Performance (Studies in Dance History) (en Inglés)

Formato

Libro Físico

Autor

Katherine Profeta

Editorial

University of Wisconsin Press

Idioma

Inglés

Encuadernación

Tapa Blanda

Dimensiones

22.6 x 15.2 x 1.8 cm

Peso

0.39 kg.

ISBN13

9780299305949

Categorías

Dirección y producción artística
Coreografía
Historia de las artes escénicas

Dramaturgy in Motion: At Work on Dance and Movement Performance (Studies in Dance History) (en Inglés)

Katherine Profeta (Autor) · University of Wisconsin Press · Tapa Blanda

Libro Nuevo

$ 113.161

$ 226.321

Ahorras: $ 113.161

50% descuento

Envío normal

Origen: Estados Unidos (Costos de importación incluídos en el precio)

Se enviará desde nuestra bodega entre el Miércoles 15 de Mayo y el Miércoles 29 de Mayo.

Lo recibirás en cualquier lugar de Colombia entre 1 y 5 días hábiles luego del envío.

Reseña del libro "Dramaturgy in Motion: At Work on Dance and Movement Performance (Studies in Dance History) (en Inglés)"

Dramaturgy in Motion innovatively examines the work of the dramaturg in contemporary dance and movement performance. Katherine Profeta, a working dramaturg for more than fifteen years, shifts the focus from asking "Who is the dramaturg?" to "What does the dramaturg think about?" Profeta explores five arenas for the dramaturg's attention-text and language, research, audience, movement, and interculturalism. Drawing on her extended collaboration with choreographer and visual artist Ralph Lemon, she grounds her thinking in actual rehearsal-room examples and situates practice within theoretical discourse about contemporary dramaturgy. Moving between theory and practice, word and movement, question and answer until these distinctions blur, she develops the foundational concept of dramaturgical labor as a quality of motion. Dramaturgy in Motion will be invaluable to practitioners and scholars interested in the processes of creating contemporary dance and movement performance-particularly artists wondering what it might be like to collaborate with a dramaturg and dramaturgs wondering what it might be like to collaborate on movement performance. The book will also appeal to those intrigued by the work of Lemon and his collaborators, to which Profeta turns repeatedly to unfold the thorny questions and rich benefits of dramaturgical labor.