Name: History of art in Phoenicia and its Dependencies, From the French of Georges Perrot. And Charles Chipiez: Illustrated With six Hundred and. Ten Steel and Coloured Plates. Volume 1 (en Inglés)
Price: 111687.00 COP
Availability: InStock
Author: Georges Perrot; Charles Chipiez; Walter Armstrong
ISBN: 9781022498440

portada History of art in Phoenicia and its Dependencies, From the French of Georges Perrot. And Charles Chipiez: Illustrated With six Hundred and. Ten Steel and Coloured Plates. Volume 1 (en Inglés)

History of art in Phoenicia and its Dependencies, From the French of Georges Perrot. And Charles Chipiez: Illustrated With six Hundred and. Ten Steel and Coloured Plates. Volume 1 (en Inglés)

Formato

Libro Físico

Editorial

Legare Street Press

Autor

Georges Perrot; Charles Chipiez; Walter Armstrong

Idioma

Inglés

N° páginas

432

Encuadernación

Tapa Blanda

ISBN13

9781022498440

History of art in Phoenicia and its Dependencies, From the French of Georges Perrot. And Charles Chipiez: Illustrated With six Hundred and. Ten Steel and Coloured Plates. Volume 1 (en Inglés)

Georges Perrot; Charles Chipiez; Walter Armstrong (Autor) · Legare Street Press · Tapa Blanda

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Reseña del libro "History of art in Phoenicia and its Dependencies, From the French of Georges Perrot. And Charles Chipiez: Illustrated With six Hundred and. Ten Steel and Coloured Plates. Volume 1 (en Inglés)"

This comprehensive work outlines the history of art in Phoenicia and its dependencies, examining the types of art produced throughout the region and exploring their historical context. Illustrated with hundreds of engravings and ten steel and coloured plates, this book provides a fascinating glimpse into the ancient world and the artistic traditions that shaped it.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.