Name: Imagining the Past in France: History in Manuscript Painting, 1250-1500 (en Inglés)
Price: 349143.00 COP
Availability: InStock
Author: Morrison, Elizabeth ; Hedeman, Anne D.
ISBN: 9781606060285

portada Imagining the Past in France: History in Manuscript Painting, 1250-1500 (en Inglés)

Imagining the Past in France: History in Manuscript Painting, 1250-1500 (en Inglés)

Formato

Libro Físico

Autor

Elizabeth Morrison

Anne D. Hedeman

Editorial

J. Paul Getty Museum

Año

2010

Idioma

Inglés

N° páginas

384

Encuadernación

Tapa Dura

Dimensiones

31.2 x 23.6 x 3.6 cm

Peso

2.43 kg.

ISBN

1606060287

ISBN13

9781606060285

Categorías

Francia
Estilo medieval
Historia del arte
Artes: técnicas y principios artísticos
Historia de europa
Rotulación y caligrafía

Imagining the Past in France: History in Manuscript Painting, 1250-1500 (en Inglés)

Elizabeth Morrison (Autor) · Anne D. Hedeman (Autor) · J. Paul Getty Museum · Tapa Dura

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Reseña del libro "Imagining the Past in France: History in Manuscript Painting, 1250-1500 (en Inglés)"

From around 1250 to the close of the fifteenth century, the most important and original work being done in secular illumination was unquestionably in French vernacular history manuscripts. This volume celebrates the vivid historical imagery produced during these years by bringing together some of the finest masterpieces of illumination created in the Middle Ages. It is the first major publication to focus on exploring the ways in which text and illumination worked together to help show medieval readers the role and purpose of history. The images enabled the past to come alive before the eyes of medieval readers by relating the adventures of epic figures such as Hector of Troy, Alexander the Great, the Holy Roman Emperor Charlemagne, and even the Virgin Mary.Presented here are approximately fifty-five manuscripts from over twenty-five libraries and museums across the United States and Europe, supplemented by medieval objects ranging from tapestries to ivory boxes. Together they show how historical narratives came to play a decisive role at the French court and in the process inspired some of the most original and splendid artworks of the time. Additional contributors to this volume include Élisabeth Antoine, R. Howard Bloch, Keith Busby, Joyce Coleman, Erin K. Donovan, and Gabrielle M. Spiegel.