Name: Interactional Approach to Cinematic Discourse: How Do Woody Allen's Characters Talk? (en Inglés)
Price: 350177.00 COP
Availability: InStock
Author: Chepinchikj, Neda
ISBN: 9783031009440

portada Interactional Approach to Cinematic Discourse: How Do Woody Allen's Characters Talk? (en Inglés)

Interactional Approach to Cinematic Discourse: How Do Woody Allen's Characters Talk? (en Inglés)

Formato

Libro Físico

Autor

Neda Chepinchikj

Editorial

Palgrave MacMillan

Idioma

Inglés

N° páginas

273

Encuadernación

Tapa Dura

Dimensiones

21.0 x 14.8 x 1.8 cm

Peso

0.50 kg.

ISBN13

9783031009440

Categorías

Técnicas de actuación
Lingüística
Sociología

Interactional Approach to Cinematic Discourse: How Do Woody Allen's Characters Talk? (en Inglés)

Neda Chepinchikj (Autor) · Palgrave MacMillan · Tapa Dura

Libro Nuevo Importado

Envío: 15 a 21 días háb.

$ 700.354$ 350.177

-50%

Costos de importación incluídos en el precio ✅

Libro Nuevo

Quedan más de 100 unidades

$ 350.177

¡Envío Gratis! Llega entre el 20 Ago y el 31 Ago a Bogota, Cundinamarca. Seleccionar ubicación

Agregar a lista de deseos

Reseña del libro "Interactional Approach to Cinematic Discourse: How Do Woody Allen's Characters Talk? (en Inglés)"

This book analyses and describes a segment of Woody Allen's cinematic discourse, focusing specifically on the performed (or diegetic) interactions between actors in various roles in some of his films. It is a case study of Woody Allen's cinematic discourse, encompassing the on-screen, performed interaction in the films at the level of the story-world. The analysis focuses on speech (film dialogues), in both its verbal and prosodic forms, as well as non-verbal types of interaction including gaze and gesture, taking a social interactional approach and using multimodal conversation analysis as a theoretical framework and analytical tool. The 'texts' under study are segments from five films by Woody Allen, and the analysed interactions take place between male and female interactants, which allows further examination of on-screen interactions via a gender lens. The book aims to bridge the gap between the disciplines of applied linguistics and cinema studies andoffer linguistic insights into performed interactions from a multimodal point of view. It will be equally relevant to linguists who are interested in how verbal and non-verbal language is used in cinematic discourse, as well as to film workers, especially actors, directors and screenwriters.