Name: Intimacy, Performance, and the Lied in the Early Nineteenth Century (Historical Performance) (en Inglés)
Price: 326951.00 COP
Availability: InStock
Author: Jennifer Ronyak
ISBN: 9780253035776

portada Intimacy, Performance, and the Lied in the Early Nineteenth Century (Historical Performance) (en Inglés)

Intimacy, Performance, and the Lied in the Early Nineteenth Century (Historical Performance) (en Inglés)

Formato

Libro Físico

Editorial

Indiana Univ Pr

Autor

Jennifer Ronyak

Año

2018

Idioma

Inglés

N° páginas

312

Encuadernación

Tapa Dura

ISBN13

9780253035776

Categorías

Reseña y crítica musicales
Historia de la música

Intimacy, Performance, and the Lied in the Early Nineteenth Century (Historical Performance) (en Inglés)

Jennifer Ronyak (Autor) · Indiana Univ Pr · Tapa Dura

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Reseña del libro "Intimacy, Performance, and the Lied in the Early Nineteenth Century (Historical Performance) (en Inglés)"

The German lied, or art song, is considered one of the most intimate of all musical genres―often focused on the poetic speaker’s inner world and best suited for private and semi-private performance in the home or salon. Yet, problematically, any sense of inwardness in lieder depends on outward expression through performance. With this paradox at its heart, Intimacy, Performance, and the Lied in the Early Nineteenth Century explores the relationships between early nineteenth-century theories of the inward self, the performance practices surrounding inward lyric poetry and song, and the larger conventions determining the place of intimate poetry and song in the public concert hall. Jennifer Ronyak studies the cultural practices surrounding lieder performances in northern and central Germany in the first quarter of the nineteenth century, demonstrating how presentations of lieder during the formative years of the genre put pressure on their sense of interiority. She examines how musicians responded to public concern that outward expression would leave the interiority of the poet, the song, or the performer unguarded and susceptible to danger. Through this rich performative paradox Ronyak reveals how a song maintains its powerful intimacy even during its inherently public performance.