Name: John Cage and Peter Yates: Correspondence on Music Criticism and Aesthetics (Music Since 1900) (en Inglés)
Price: 207976.00 COP
Availability: InStock
Author: Iddon, Martin
ISBN: 9781108703178

portada John Cage and Peter Yates: Correspondence on Music Criticism and Aesthetics (Music Since 1900) (en Inglés)

John Cage and Peter Yates: Correspondence on Music Criticism and Aesthetics (Music Since 1900) (en Inglés)

Formato

Libro Físico

Autor

Martin Iddon

Editorial

Cambridge University Press

Año

2022

Idioma

Inglés

N° páginas

332

Encuadernación

Tapa Blanda

Dimensiones

24.4 x 17.0 x 1.8 cm

Peso

0.53 kg.

ISBN13

9781108703178

Categorías

Reseña y crítica musicales
Historia de la música

John Cage and Peter Yates: Correspondence on Music Criticism and Aesthetics (Music Since 1900) (en Inglés)

Martin Iddon (Autor) · Cambridge University Press · Tapa Blanda

Libro Nuevo Importado

Envío: 11 a 15 días háb.

$ 378.139$ 207.976

-45%

Costos de importación incluídos en el precio ✅

Libro Nuevo

Quedan más de 100 unidades

$ 207.976

¡Envío Gratis! Llega entre el 25 Ago y el 01 Sep a Bogota, Cundinamarca. Seleccionar ubicación

Agregar a lista de deseos

Reseña del libro "John Cage and Peter Yates: Correspondence on Music Criticism and Aesthetics (Music Since 1900) (en Inglés)"

The correspondence between composer John Cage and Peter Yates represents the third and final part of Cage's most significant exchanges of letters, following those with Pierre Boulez and with David Tudor. Martin Iddon's book is the first volume to collect the complete extant correspondence with his critical friend, thus completing the 'trilogy' of Cage correspondence published by Cambridge. By bringing together more than 100 letters, beginning in 1940 and continuing until 1971, Iddon reveals the dialogue within which many of Cage's ideas were first forged and informed, with particular focus on his developing attitudes to music criticism and aesthetics. The correspondence with Yates represents precisely, in alignment with Cage's fastidious neatness, the part of his letter writing in which he engages most directly with the last part of his famous tricolon, 'composing's one thing, performing's another, listening's a third'.