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portada Memories of Underdevelopment (Rutgers Films in Print) (en Inglés)
Formato
Libro Físico
Año
1990
Idioma
Inglés
N° páginas
272
Encuadernación
Tapa Blanda
ISBN
0813515378
ISBN13
9780813515373
Categorías

Memories of Underdevelopment (Rutgers Films in Print) (en Inglés)

Michael Chanan (Autor) · Rutgers University Press · Tapa Blanda

Memories of Underdevelopment (Rutgers Films in Print) (en Inglés) - Michael Chanan

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Origen: Estados Unidos (Costos de importación incluídos en el precio)
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Reseña del libro "Memories of Underdevelopment (Rutgers Films in Print) (en Inglés)"

Memories of Underdevelopment was the first great international success of Cuban cinema. The film provides a complex portrait of Sergio, a disaffected bourgeois intellectual who remains in Havana after the Revolution, suspended between two worlds. He can no longer accept the values of his family's reactionary past and yet boredom and the conditioning of his early life prevent him from committing himself to the new revolutionary society. Sergio's story is played out in the turbulent period of the Bay of Pigs invasion and the 1962 missile crisis, events he can only watch on his television screen or from his apartment balcony.The film, initially banned by the U.S. government as part of its trade quarantine of Cuba, was shown here five years after its original release. But American critics responded enthusiastically to it and the National Society of Film Critics bestowed an award on its director. This double volume includes the complete continuity script of Memories, as well as the complete novel, Inconsolable Memories, upon which the film is based. An interview with Alea is reproduced here, as well as documentation of the political controversy that surrounded the film in this country. Michael Chanan's introduction places the film in the context of Cuban political and cultural history. The volume also includes a biographical sketch of Alea, a chronology of the Cuban Revolution, reviews, commentary, a filmography, and a bibliography.Michael Chanan lives in England, where he teaches and writes on film. He is the author of The Cuban Image: Cinema and Cultural Politics in Cuba.

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