Name: Museum Processes in China: The Institutional Regulation, Production and Consumption of the Art Museums in the Greater Pearl River Delta Region (en Inglés)
Price: 588180.00 COP
Availability: InStock
Author: Ho, Chui-Fun Selina
ISBN: 9789463723527

portada Museum Processes in China: The Institutional Regulation, Production and Consumption of the Art Museums in the Greater Pearl River Delta Region (en Inglés)

Museum Processes in China: The Institutional Regulation, Production and Consumption of the Art Museums in the Greater Pearl River Delta Region (en Inglés)

Formato

Libro Físico

Autor

Chui-Fun Selina Ho

Editorial

Amsterdam University Press

Idioma

Inglés

N° páginas

260

Encuadernación

Tapa Dura

Dimensiones

23.1 x 16.0 x 2.3 cm

Peso

0.50 kg.

ISBN13

9789463723527

Categorías

China
Estudios de museología y patrimonio
Historia de asia

Museum Processes in China: The Institutional Regulation, Production and Consumption of the Art Museums in the Greater Pearl River Delta Region (en Inglés)

Chui-Fun Selina Ho (Autor) · Amsterdam University Press · Tapa Dura

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Reseña del libro "Museum Processes in China: The Institutional Regulation, Production and Consumption of the Art Museums in the Greater Pearl River Delta Region (en Inglés)"

This monograph presents China's museum culture in its full complexity as processes negotiated and contested by contending forces and diverse actors that exist at different forms of management and levels of governance. From varied perspectives, it conceptualizes the museum discourse in China as a volatile process involving institutional-regulatory changes, the production agencies of museum and processes of museum consumption as practices of appropriation, negotiation or resistance. The monograph emphasizes the roles of museum intermediates and the exhibition approaches and strategies they use. It particularly highlights the contradictory agendas in official narratives, the alternative practices, as well as the limits of interpretative agencies that have been raised among them. It offers an incisive analysis of the public determined by them, and the possibility and efficacy of museum politics generated from the cultural sphere in contemporary China. The biggest strength of this monograph is the presence of the public's voice. My visitor studies indicated that the Chinese publics have evinced a wide spectrum of attitudes to the museum programs and messages. They revealed the public critique towards museums or exhibitions, by including the opposing opinions raised by critical audience and the social actions by activists. Readers can learn whether the efforts masterminded by the museums have been effective or not. In addition, they can learn more about the modes of museum consumption that have been circulated in the region, and broadly in China.