Name: Neue Liebeslieder, Op.65: Vocal score (en Alemán)
Price: 71273.00 COP
Availability: InStock
Author: Brahms, Johannes ; Sargeant, Richard W., Jr.
ISBN: 9781608741960

portada Neue Liebeslieder, Op.65: Vocal score (en Alemán)

Formato

Libro Físico

Autor

Johannes Brahms

Richard W. Sargeant

Editorial

Serenissima Music

Idioma

Alemán

N° páginas

Encuadernación

Tapa Blanda

Dimensiones

29.7 x 21.0 x 0.3 cm

Peso

0.14 kg.

ISBN13

9781608741960

Categorías

Arte musical
Música coral
Ópera
Compositores y autores de temas musicales
Cantantes, bandas y grupos
Partituras, letras y libretos

Neue Liebeslieder, Op.65: Vocal score (en Alemán)

Johannes Brahms (Autor) · Richard W. Sargeant (Autor) · Serenissima Music · Tapa Blanda

Libro Físico

$ 71.273

$ 129.587

Ahorras: $ 58.314

45% descuento

Envío normal

Origen: Estados Unidos (Costos de importación incluídos en el precio)

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Reseña del libro "Neue Liebeslieder, Op.65: Vocal score (en Alemán)"

Following the success of his first volume of choral-watzes of 1869, Brahms set another 14 songs to the same poetry from Polydora, the 1855 collection of German folk-poems and love-songs assembled by George Friedrich Daumer (1800-1875) plus a conclusion set to a poem of Goethe - "Zum Schluss". Composed from 1869 through 1874, the seond volume also features numbers for solo voices placed between the 4-voiced settings. The first complete performance was given in Karlsruhe on May 8, 1875. The conductor Ernst Rudorff persuaded Brahms to orchestrate the accompaniment for No.9 (plus 8 numbers from the earlier Op.52 set) for a concert given at Berlin's Hochschule on March 19, 1870. Offered here is Richard Sargeant's thoroughly researched, meticulously edited and engraved complete score, including variants. Brahms' own earlier variant of the ninth song is present along with the final version of 1875. This new edition is also designed to serve as a vocal score for the editor's new orchestration, which includes the Brahms' own orchestration of the ninth song. while the remainder (including the final version of the No.9) have been freshly orchestrated with the same forces employed by the composer.