Name: Opera and Modern Spectatorship in Late Nineteenth-Century Italy (Cambridge Studies in Opera) (en Inglés)
Price: 153072.00 COP
Availability: InStock
Author: Alessandra Campana
ISBN: 9781107666641

portada Opera and Modern Spectatorship in Late Nineteenth-Century Italy (Cambridge Studies in Opera) (en Inglés)

Formato

Libro Físico

Editorial

Cambridge University Press

Autor

Alessandra Campana

Año

2018

Idioma

Inglés

N° páginas

222

Encuadernación

Tapa Blanda

ISBN13

9781107666641

Categorías

Ópera

Opera and Modern Spectatorship in Late Nineteenth-Century Italy (Cambridge Studies in Opera) (en Inglés)

Alessandra Campana (Autor) · Cambridge University Press · Tapa Blanda

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Reseña del libro "Opera and Modern Spectatorship in Late Nineteenth-Century Italy (Cambridge Studies in Opera) (en Inglés)"

At the turn of the twentieth century Italian opera participated to the making of a modern spectator. The Ricordi stage manuals testify to the need to harness the effects of operatic performance, activating opera's capacity to cultivate a public. This book considers how four operas and one film deal with their public: one that in Boito's Mefistofele is entertained by special effects, or that in Verdi's Simon Boccanegra is called upon as a political body to confront the specters of history. Also a public that in Verdi's Otello is subjected to the manipulation of contemporary acting, or one that in Puccini's Manon Lescaut is urged to question the mechanism of spectatorship. Lastly, the silent film Rapsodia satanica, thanks to the craft and prestige of Pietro Mascagni's score, attempts to transform the new industrial medium into art, addressing its public's search for a bourgeois pan-European cultural identity, right at the outset of the First World War.