Name: Opera in Performance: Analyzing the Performative Dimension of Opera Productions (Routledge Advances in Theatre & Performance Studies) (en Inglés)
Price: 133692.00 COP
Availability: InStock
Author: Clemens Risi
ISBN: 9780367645052

portada Opera in Performance: Analyzing the Performative Dimension of Opera Productions (Routledge Advances in Theatre & Performance Studies) (en Inglés)

Formato

Libro Físico

Editorial

Routledge

Autor

Clemens Risi

Idioma

Inglés

N° páginas

188

Encuadernación

Tapa Blanda

ISBN13

9780367645052

N° edición

Opera in Performance: Analyzing the Performative Dimension of Opera Productions (Routledge Advances in Theatre & Performance Studies) (en Inglés)

Clemens Risi (Autor) · Routledge · Tapa Blanda

Libro Nuevo

$ 133.692

$ 267.385

Ahorras: $ 133.692

50% descuento

Envío normal

Origen: Estados Unidos (Costos de importación incluídos en el precio)

Se enviará desde nuestra bodega entre el Lunes 24 de Junio y el Miércoles 10 de Julio.

Lo recibirás en cualquier lugar de Colombia entre 1 y 5 días hábiles luego del envío.

Reseña del libro "Opera in Performance: Analyzing the Performative Dimension of Opera Productions (Routledge Advances in Theatre & Performance Studies) (en Inglés)"

Opera in Performance elucidates the performative dimension of contemporary opera productions. What are the most striking and decisive moments in a performance? Why do we respond so strongly to stagings that transform familiar scenes, to performers' bodily presence, and to virtuosic voices as well as ill-disposed ones? Drawing on phenomenology and performance theory, Clemens Risi explains how these moments arise out of a dialogue between performers and the audience, representation and presence, the familiar and the new. He then applies these insights in critical descriptions of his own experiences of various singers, stagings, and performances at opera houses and festivals from across the German-speaking world over the last twenty years. As the first book to focus on what happens in performance as such, this study shifts our attention to moments that have eluded articulation and provides tools for describing our own experiences when we go to the opera.This book will particularly interest scholars and students in theater and performance studies, musicology, and the humanities, and may also appeal to operagoers and theater professionals.