Name: Practice and Theory in the Italian Renaissance Workshop: Verrocchio and the Epistemology of Making art (en Inglés)
Price: 608133.00 COP
Availability: InStock
Author: Neilson, Christina
ISBN: 9781107172852

portada Practice and Theory in the Italian Renaissance Workshop: Verrocchio and the Epistemology of Making art (en Inglés)

Practice and Theory in the Italian Renaissance Workshop: Verrocchio and the Epistemology of Making art (en Inglés)

Formato

Libro Físico

Autor

Christina Neilson

Editorial

Cambridge University Press

Año

2019

Idioma

Inglés

N° páginas

362

Encuadernación

Tapa Dura

Dimensiones

18.8 x 25.7 x 2.0 cm

Peso

0.95 kg.

ISBN13

9781107172852

Categorías

Europa
Escultura
Instalaciones artísticas
Historia de europa

Practice and Theory in the Italian Renaissance Workshop: Verrocchio and the Epistemology of Making art (en Inglés)

Christina Neilson (Autor) · Cambridge University Press · Tapa Dura

Libro Nuevo Importado

Envío: 18 a 24 días háb.

$ 1.216.267$ 608.133

-50%

Costos de importación incluídos en el precio ✅

Libro Nuevo

Quedan 100 unidades

$ 608.133

¡Envío Gratis! Llega entre el 21 Jul y el 30 Jul a Bogota, Cundinamarca. Seleccionar ubicación

Agregar a lista de deseos

Reseña del libro "Practice and Theory in the Italian Renaissance Workshop: Verrocchio and the Epistemology of Making art (en Inglés)"

Verrocchio was arguably the most important sculptor between Donatello and Michelangelo but he has seldom been treated as such in art historical literature because his achievements were quickly superseded by the artists who followed him. He was the master of Leonardo da Vinci, but he is remembered as the sulky teacher that his star pupil did not need. In this book, Christina Neilson argues that Verrocchio was one of the most experimental artists in fifteenth-century Florence, itself one of the most innovative centers of artistic production in Europe. Considering the different media in which the artist worked in dialogue with one another (sculpture, painting, and drawing), she offers an analysis of Verrocchio's unusual methods of manufacture. Neilson shows that, for Verrocchio, making was a form of knowledge and that techniques of making can be read as systems of knowledge. By studying Verrocchio's technical processes, she demonstrates how an artist's theoretical commitments can be uncovered, even in the absence of a written treatise.