Name: Queer TV China: Televisual and Fannish Imaginaries of Gender, Sexuality, and Chineseness (en Inglés)
Price: 261646.00 COP
Availability: InStock
Author: Zhao, Jamie J.
ISBN: 9789888805617

portada Queer TV China: Televisual and Fannish Imaginaries of Gender, Sexuality, and Chineseness (en Inglés)

Queer TV China: Televisual and Fannish Imaginaries of Gender, Sexuality, and Chineseness (en Inglés)

Formato

Libro Físico

Editorial

Hong Kong University Press

Autor

Zhao, Jamie J.

Idioma

Inglés

N° páginas

252

Encuadernación

Tapa Dura

Dimensiones

23.0 x 15.6 x 2.2 cm

Peso

0.48 kg.

ISBN13

9789888805617

Categorías

Relativo al colectivo gay
Cultura popular
Lgbtq+ / estudios sobre gais y lesbianas

Queer TV China: Televisual and Fannish Imaginaries of Gender, Sexuality, and Chineseness (en Inglés)

Zhao, Jamie J. (Autor) · Hong Kong University Press · Tapa Dura

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Reseña del libro "Queer TV China: Televisual and Fannish Imaginaries of Gender, Sexuality, and Chineseness (en Inglés)"

The 2010s have seen an explosion in popularity of Chinese television featuring same-sex intimacies, LGBTQ-identified celebrities, and explicitly homoerotic storylines even as state regulations on "vulgar" and "immoral" content grow more prominent. This emerging "queer TV China" culture has generated diverse, cyber, and transcultural queer fan communities. Yet these seemingly progressive televisual productions and practices are caught between multilayered sociocultural and political-economic forces and interests.Taking "queer" as a verb, an adjective, and a noun, this volume counters the Western-centric conception of homosexuality as the only way to understand nonnormative identities and same-sex desire in the Chinese and Sinophone worlds. It proposes an analytical framework of "queer/ing TV China" to explore the power of various TV genres and narratives, censorial practices, and fandoms in queer desire-voicing and subject formation within a largely heteropatriarchal society. Through examining nine cases contesting the ideals of gender, sexuality, Chineseness, and TV production and consumption, the book also reveals the generative, negotiative ways in which queerness works productively within and against mainstream, seemingly heterosexual-oriented, televisual industries and fan spaces.