Name: South Korea'S Webtooniverse and the Digital Comic Revolution (Media, Culture and Communication in Asia-Pacific Societies) (en Inglés)
Price: 237992.00 COP
Availability: InStock
Author: Yecies, Brian ; Shim, Ae-Gyung
ISBN: 9781538153383

portada South Korea'S Webtooniverse and the Digital Comic Revolution (Media, Culture and Communication in Asia-Pacific Societies) (en Inglés)

Formato

Libro Físico

Autor

Brian Yecies

Ae-Gyung Shim

Editorial

Rowman & Littlefield Publishers

Año

2022

Idioma

Inglés

N° páginas

252

Encuadernación

Tapa Blanda

Dimensiones

22.9 x 15.2 x 1.5 cm

Peso

0.38 kg.

ISBN13

9781538153383

Categorías

Globalización
Cultura popular
Estudios sobre medios

South Korea'S Webtooniverse and the Digital Comic Revolution (Media, Culture and Communication in Asia-Pacific Societies) (en Inglés)

Brian Yecies (Autor) · Ae-Gyung Shim (Autor) · Rowman & Littlefield Publishers · Tapa Blanda

Libro Nuevo

$ 237.992

$ 360.594

Ahorras: $ 122.602

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Envío normal

Origen: Estados Unidos (Costos de importación incluídos en el precio)

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Reseña del libro "South Korea'S Webtooniverse and the Digital Comic Revolution (Media, Culture and Communication in Asia-Pacific Societies) (en Inglés)"

This book investigates the meteoric rise of mobile webtoons - also known as webcomics - and the dynamic relationships between serialised content, artists, agencies, platforms and applications, as well as the global readership associated with them. It offers an engaging discussion of webtoons themselves, and what makes this new media form so compelling and attractive to millions upon millions of readers. Why have webtoons taken off, and how do users interact with them? Each of the case studies we explore raises interesting questions for both general readers and scholars of new media about how webtoons have become a modern form of popular culture. The book also addresses larger questions about East Asia's contributions to global popular culture and Asian society in general, as well as South Korea's rapid social and cultural transformation since the 1990s. This is a significant - and understudied - aspect of the new screen ecologies and their role in a new wave of media globalisation.