Name: Technologies of the Self-Portrait: Identity, Presence and the Construction of the Subject(S) in Twentieth and Twenty-First Century art (Routledge Advances in art and Visual Studies) (en Inglés)
SKU: 62519094
Price: 150832.00 COP
Availability: InStock
Author: Gabriella Giannachi
ISBN: 9781032310183

portada Technologies of the Self-Portrait: Identity, Presence and the Construction of the Subject(S) in Twentieth and Twenty-First Century art (Routledge Advances in art and Visual Studies) (en Inglés)

Technologies of the Self-Portrait: Identity, Presence and the Construction of the Subject(S) in Twentieth and Twenty-First Century art (Routledge Advances in art and Visual Studies) (en Inglés)

Formato

Libro Físico

Editorial

Routledge

Autor

Gabriella Giannachi

Idioma

Inglés

N° páginas

152

Encuadernación

Tapa Blanda

ISBN13

9781032310183

N° edición

Technologies of the Self-Portrait: Identity, Presence and the Construction of the Subject(S) in Twentieth and Twenty-First Century art (Routledge Advances in art and Visual Studies) (en Inglés)

Gabriella Giannachi (Autor) · Routledge · Tapa Blanda

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Reseña del libro "Technologies of the Self-Portrait: Identity, Presence and the Construction of the Subject(S) in Twentieth and Twenty-First Century art (Routledge Advances in art and Visual Studies) (en Inglés)"

This book demonstrates how artists have radically revisited the genre of the self-portrait by using a range of technologies and media that mark different phases in what can be described as a history of self- or selves-production. Gabriella Giannachi shows how artists constructed their presence, subjectivity, and personhood, by using a range of technologies and media including mirrors, photography, sculpture, video, virtual reality and social media, to produce an increasingly fluid, multiple, and social representation of their 'self'. This interdisciplinary book draws from art history, performance studies, visual culture, new media theory, philosophy, computer science, and neuroscience to offer a radical new reading of the genre.