Name: Technologies of the Self-Portrait: Identity, Presence and the Construction of the Subject(s) in Twentieth and Twenty-First Century Art (en Inglés)
SKU: 54185881
Price: 441396.00 COP
Availability: InStock
Author: Giannachi, Gabriella
ISBN: 9781138604452

portada Technologies of the Self-Portrait: Identity, Presence and the Construction of the Subject(s) in Twentieth and Twenty-First Century Art (en Inglés)

Technologies of the Self-Portrait: Identity, Presence and the Construction of the Subject(s) in Twentieth and Twenty-First Century Art (en Inglés)

Formato

Libro Físico

Autor

Gabriella Giannachi

Editorial

Routledge

Año

2022

Idioma

Inglés

N° páginas

152

Encuadernación

Tapa Dura

ISBN13

9781138604452

N° edición

Categorías

Modernismo
Artes: aspectos generales
Historia del arte
Retratos y autorretratos en el arte

Technologies of the Self-Portrait: Identity, Presence and the Construction of the Subject(s) in Twentieth and Twenty-First Century Art (en Inglés)

Gabriella Giannachi (Autor) · Routledge · Tapa Dura

Libro Nuevo Importado

Envío: 20 a 26 días háb.

$ 882.792$ 441.396

-50%

Costos de importación incluídos en el precio ✅

Libro Nuevo

Quedan 44 unidades

$ 441.396

¡Envío Gratis! Llega entre el 13 Oct y el 22 Oct a Bogota, Cundinamarca. Seleccionar ubicación

Agregar a lista de deseos

Reseña del libro "Technologies of the Self-Portrait: Identity, Presence and the Construction of the Subject(s) in Twentieth and Twenty-First Century Art (en Inglés)"

This book demonstrates how artists have radically revisited the genre of the self-portrait by using a range of technologies and media that mark different phases in what can be described as a history of self- or selves-production. Gabriella Giannachi shows how artists constructed their presence, subjectivity, and personhood, by using a range of technologies and media including mirrors, photography, sculpture, video, virtual reality and social media, to produce an increasingly fluid, multiple, and social representation of their 'self'. This interdisciplinary book draws from art history, performance studies, visual culture, new media theory, philosophy, computer science, and neuroscience to offer a radical new reading of the genre.