Name: The Aesthetics of Anarchy: Art and Ideology in the Early Russian Avant-Garde (en Inglés)
Price: 283238.00 COP
Availability: InStock
Author: Gurianova, Nina
ISBN: 9780520268760

portada The Aesthetics of Anarchy: Art and Ideology in the Early Russian Avant-Garde (en Inglés)

The Aesthetics of Anarchy: Art and Ideology in the Early Russian Avant-Garde (en Inglés)

Formato

Libro Físico

Autor

Nina Gurianova

Editorial

University of California Press

Idioma

Inglés

N° páginas

360

Encuadernación

Tapa Dura

Dimensiones

22.9 x 15.5 x 2.8 cm

Peso

0.70 kg.

ISBN

0520268768

ISBN13

9780520268760

Categorías

Rusia
Modernismo
Historia del arte
Anarquismo

The Aesthetics of Anarchy: Art and Ideology in the Early Russian Avant-Garde (en Inglés)

Nina Gurianova (Autor) · University of California Press · Tapa Dura

Libro Nuevo Importado

Envío: 13 a 19 días háb.

$ 472.063$ 283.238

-40%

Costos de importación incluídos en el precio ✅

Libro Nuevo

Quedan 40 unidades

$ 283.238

¡Envío Gratis! Llega entre el 13 Ago y el 25 Ago a Bogota, Cundinamarca. Seleccionar ubicación

Agregar a lista de deseos

Reseña del libro "The Aesthetics of Anarchy: Art and Ideology in the Early Russian Avant-Garde (en Inglés)"

In this groundbreaking study, Nina Gurianova identifies the early Russian avant-garde (1910-1918) as a distinctive movement in its own right and not a preliminary stage to the Constructivism of the 1920s. Gurianova identifies what she terms an "aesthetics of anarchy"--art-making without rules--that greatly influenced early twentieth-century modernists. Setting the early Russian avant-garde movement firmly within a broader European context, Gurianova draws on a wealth of primary and archival sources by individual writers and artists, Russian theorists, theorizing artists, and German philosophers. Unlike the post-revolutionary avant-garde, which sought to describe the position of the artist in the new social hierarchy, the early Russian avant-garde struggled to overcome the boundaries defining art and to bridge the traditional gap between artist and audience. As it explores the aesthetics embraced by the movement, the book shows how artists transformed literary, theatrical, and performance practices, eroding the traditional boundaries of the visual arts and challenging the conventions of their day.