Name: The Clear Line in Comics and Cinema: A Transmedial Approach (en Inglés)
Price: 330470.00 COP
Availability: InStock
Author: Pinho Barros, David
ISBN: 9789462703209

portada The Clear Line in Comics and Cinema: A Transmedial Approach (en Inglés)

Formato

Libro Físico

Autor

David Pinho Barros

Editorial

Leuven University Press

Idioma

Inglés

N° páginas

270

Encuadernación

Tapa Blanda

Dimensiones

22.8 x 17.0 x 1.8 cm

Peso

0.61 kg.

ISBN13

9789462703209

Categorías

Cómic y novela gráfica americana y británica

The Clear Line in Comics and Cinema: A Transmedial Approach (en Inglés)

David Pinho Barros (Autor) · Leuven University Press · Tapa Blanda

Libro Nuevo

$ 330.470

$ 660.940

Ahorras: $ 330.470

50% descuento

Envío normal

Origen: Estados Unidos (Costos de importación incluídos en el precio)

Se enviará desde nuestra bodega entre el Martes 25 de Junio y el Martes 09 de Julio.

Lo recibirás en cualquier lugar de Colombia entre 1 y 5 días hábiles luego del envío.

Reseña del libro "The Clear Line in Comics and Cinema: A Transmedial Approach (en Inglés)"

Historical and theoretical analysis of the "clear line" style in comics and cinemaThe "clear line", a term coined in 1977 by Dutch essayist and artist Joost Swarte, has become shorthand in the field of comics studies for the style originally developed by Hergé and the École de Bruxelles. It refers to certain storytelling strategies that generate a deceptively simple, lucid, and hygienic narration: in Philippe Marion's words, it is a style "made out of light, fluidity and limpid clarity".By cataloguing and critically analysing clear line comics from historical and theoretical perspectives, this book offers a new outlook on the development of the style in the 20th and 21st centuries, especially focused on the context of the European bande dessinée. In addition, it pioneeringly expands the concept of "clear line" to other artistic domains by introducing and defending its transmedial use, which is particularly relevant for the understanding of the oeuvres of certain filmmakers of the 20th century working in the postwar period, such as Yasujirô Ozu in Japan, Jacques Tati in France and Frank Tashlin in the United States. The Clear Line in Comics and Cinema is therefore a key theoretical work for both bande dessinée enthusiasts and comics scholars, as well as a fundamental contribution to present-day film studies and transmedial narratology.