Name: The Collected Essays and Criticism, Volume 1: Perceptions and Judgments, 1939-1944: Perceptions and Judgements, 1939-44 v. 1: (en Inglés)
Price: 149964.00 COP
Availability: InStock
Author: Clement Greenberg
ISBN: 9780226306216

portada The Collected Essays and Criticism, Volume 1: Perceptions and Judgments, 1939-1944: Perceptions and Judgements, 1939-44 v. 1: (en Inglés)

The Collected Essays and Criticism, Volume 1: Perceptions and Judgments, 1939-1944: Perceptions and Judgements, 1939-44 v. 1: (en Inglés)

Formato

Libro Físico

Editorial

University Of Chicago Pr.

Autor

Clement Greenberg

Año

1988

Idioma

Inglés

N° páginas

296

Encuadernación

Tapa Blanda

Peso

ISBN

0226306216

ISBN13

9780226306216

Categorías

Artes: aspectos generales

The Collected Essays and Criticism, Volume 1: Perceptions and Judgments, 1939-1944: Perceptions and Judgements, 1939-44 v. 1: (en Inglés)

Clement Greenberg (Autor) · University Of Chicago Pr. · Tapa Blanda

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Reseña del libro "The Collected Essays and Criticism, Volume 1: Perceptions and Judgments, 1939-1944: Perceptions and Judgements, 1939-44 v. 1: (en Inglés)"

Clement Greenberg is widely recognized as the most influential and articulate champion of modernism during its American ascendency after World War II, the period largely covered by these highly acclaimed volumes of "The Collected Essays and Criticism". "Volume 3: Affirmations and Refusals" presents Greenberg's writings from the period between 1950 and 1956, while "Volume 4: Modernism with a Vengeance" gathers essays and criticism of the years 1957 to 1969. The 120 works range from little-known pieces originally appearing "Vogue" and "Harper's Bazaar" to such celebrated essays as "The Plight of Our Culture" (1953), "Modernist Painting" (1960), and "Post Painterly Abstraction" (1964). Preserved in their original form, these writings allow readers to witness the development and direction of Greenberg's criticism, from his advocacy of abstract expressionism to his enthusiasm for color-field painting.With the inclusion of critical exchanges between Greenberg and F. R. Leavis, Fairfield Porter, Thomas B. Hess, Herbert Read, Max Kozloff, and Robert Goldwater, these volumes are essential sources in the ongoing debate over modern art.