Name: The Cube and the Face: Around a Sculpture by Alberto Giacometti (en Inglés)
Price: 158287.00 COP
Availability: InStock
Author: Didi-Huberman, Georges ; Fliescher, Mira ; Vogman, Elena
ISBN: 9783037345207

portada The Cube and the Face: Around a Sculpture by Alberto Giacometti (en Inglés)

The Cube and the Face: Around a Sculpture by Alberto Giacometti (en Inglés)

Formato

Libro Físico

Autor

Georges Didi-Huberman

Ilustrado por

Elena Vogman

Mira Fliescher

Editorial

Diaphanes

Idioma

Inglés

N° páginas

248

Encuadernación

Tapa Blanda

Dimensiones

22.4 x 14.0 x 2.3 cm

Peso

0.48 kg.

ISBN13

9783037345207

Categorías

Modernismo
Artes: aspectos generales
Historia del arte
Artistas, monografías sobre arte

The Cube and the Face: Around a Sculpture by Alberto Giacometti (en Inglés)

Georges Didi-Huberman (Autor) · Elena Vogman (Ilustrado por) · Mira Fliescher (Ilustrado por) · Diaphanes · Tapa Blanda

Libro Nuevo Importado

Envío: 21 a 25 días háb.

$ 316.575$ 158.287

-50%

Costos de importación incluídos en el precio ✅

Libro Nuevo

Quedan 4 unidades

$ 158.287

¡Envío Gratis! Llega entre el 31 Ago y el 07 Sep a Bogota, Cundinamarca. Seleccionar ubicación

Agregar a lista de deseos

Reseña del libro "The Cube and the Face: Around a Sculpture by Alberto Giacometti (en Inglés)"

Alberto Giacometti's 1934 Cube stands apart for many as atypical of the Swiss artist, the only abstract sculptural work in a wide oeuvre that otherwise had as its objective the exploration of reality. With The Cube and the Face, renowned French art historian and philosopher Georges Didi-Huberman has conducted a careful analysis of Cube, consulting the artist's sketches, etchings, texts, and other sculptural works in the years just before and after Cube was created. Cube, he finds, is indeed exceptional--a work without clear stylistic kinship to the works that came before or after it. At the same time, Didi-Huberman shows, Cube marks the transition between the artist's surrealist and realist phases and contains many elements of Giacometti's aesthetic consciousness, including his interest in dimensionality, the relation of the body to geometry, and the portrait--or what Didi-Huberman terms "abstract anthropomorphism." Drawing on Freud, Bataille, Leiris, and others Giacometti counted as influence, Didi-Huberman presents fans and collectors of Giacometti's art with a new approach to transitional work.