Name: The Euro-American Cinema (Texas Film and Media Studies Series) (en Inglés)
Price: 100564.00 COP
Availability: InStock
Author: Peter Lev
ISBN: 9780292746787

portada The Euro-American Cinema (Texas Film and Media Studies Series) (en Inglés)

The Euro-American Cinema (Texas Film and Media Studies Series) (en Inglés)

Formato

Libro Físico

Editorial

University Of Texas Press

Autor

Peter Lev

Año

1993

Idioma

Inglés

N° páginas

190

Encuadernación

Tapa Blanda

ISBN13

9780292746787

Categorías

Historia, teoría y crítica cinematográfica

The Euro-American Cinema (Texas Film and Media Studies Series) (en Inglés)

Peter Lev (Autor) · University Of Texas Press · Tapa Blanda

Libro Nuevo Importado

Envío: 18 a 23 días háb.

$ 201.129$ 100.564

-50%

Costos de importación incluídos en el precio ✅

Libro Nuevo

Quedan 17 unidades

$ 100.564

¡Envío Gratis! Llega entre el 13 Ago y el 24 Ago a Bogota, Cundinamarca. Seleccionar ubicación

Agregar a lista de deseos

Reseña del libro "The Euro-American Cinema (Texas Film and Media Studies Series) (en Inglés)"

With McDonalds in Moscow and Disneyland in Paris and Tokyo, American popular culture is spreading around the globe. Regional, national, and ethnic cultures are being powerfully affected by competition from American values and American popular forms. This literate and lively study explores the spread of American culture into international cinema as reflected by the collision and partial merger of two important styles of filmmaking: the Hollywood style of stars, genres, and action, and the European art film style of ambiguity, authorial commentary, and borrowings from other arts. Peter Lev departs from the traditional approach of national cinema histories and discusses some of the blends, overlaps, and hegemonies that are typical of the world film industry of recent years. In Part One, he gives a historical and theoretical overview of what he terms the "Euro-American art film," which is characterized by prominent use of the English language, a European art film director, cast and crew from at least two countries, and a stylistic mixing of European art film and American entertainment. The second part of Lev’s study examines in detail five examples of the Euro-American art film: Contempt (1963), Blow-Up (1966), The Canterbury Tales (1972), Paris, Texas (1983), and The Last Emperor (1987). These case studies reveal that the European art film has had a strong influence on world cinema and that many Euro-American films are truly cultural blends rather than abject takeovers by Hollywood cinema.