Name: The Halberd at red Cliff: Jian’An and the Three Kingdoms (Harvard-Yenching Institute Monograph Series) (en Inglés)
Price: 179201.00 COP
Availability: InStock
Author: Xiaofei Tian
ISBN: 9780674977037

portada The Halberd at red Cliff: Jian’An and the Three Kingdoms (Harvard-Yenching Institute Monograph Series) (en Inglés)

Formato

Libro Físico

Editorial

Harvard University Asia Center

Autor

Xiaofei Tian

Año

2018

Idioma

Inglés

N° páginas

470

Encuadernación

Tapa Dura

ISBN13

9780674977037

Categorías

China
Historia de asia

The Halberd at red Cliff: Jian’An and the Three Kingdoms (Harvard-Yenching Institute Monograph Series) (en Inglés)

Xiaofei Tian (Autor) · Harvard University Asia Center · Tapa Dura

Libro Nuevo

$ 179.201

$ 275.693

Ahorras: $ 96.493

35% descuento

Envío normal

Origen: Estados Unidos (Costos de importación incluídos en el precio)

Se enviará desde nuestra bodega entre el Jueves 27 de Junio y el Lunes 08 de Julio.

Lo recibirás en cualquier lugar de Colombia entre 1 y 5 días hábiles luego del envío.

Reseña del libro "The Halberd at red Cliff: Jian’An and the Three Kingdoms (Harvard-Yenching Institute Monograph Series) (en Inglés)"

The turn of the third century CE―known as the Jian’an era or Three Kingdoms period―holds double significance for the Chinese cultural tradition. Its writings laid the foundation of classical poetry and literary criticism. Its historical personages and events have also inspired works of poetry, fiction, drama, film, and art throughout Chinese history, including Internet fantasy literature today. There is a vast body of secondary literature on these two subjects individually, but very little on their interface.The image of the Jian’an era, with its feasting, drinking, heroism, and literary panache, as well as intense male friendship, was to return time and again in the romanticized narrative of the Three Kingdoms. How did Jian’an bifurcate into two distinct nostalgias, one of which was the first paradigmatic embodiment of wen (literary graces, cultural patterning), and the other of wu (heroic martial virtue)? How did these largely segregated nostalgias negotiate with one another? And how is the predominantly male world of the Three Kingdoms appropriated by young women in contemporary China? The Halberd at Red Cliff investigates how these associations were closely related in their complex origins and then came to be divergent in their later metamorphoses.