Name: The Uncanny Gaze: The Drama of Early German Cinema (Women & Film History International) (en Inglés)
Price: 43317.00 COP
Availability: InStock
Author: Heide Schlupmann
ISBN: 9780252076718

portada The Uncanny Gaze: The Drama of Early German Cinema (Women & Film History International) (en Inglés)

Formato

Libro Físico

Editorial

University Of Illinois Press

Autor

Heide Schlupmann

Año

2010

Idioma

Inglés

N° páginas

336

Encuadernación

Tapa Blanda

ISBN

0252076710

ISBN13

9780252076718

N° edición

Categorías

Alemania
Historia de europa

The Uncanny Gaze: The Drama of Early German Cinema (Women & Film History International) (en Inglés)

Heide Schlupmann (Autor) · University Of Illinois Press · Tapa Blanda

Libro Nuevo

$ 43.317

$ 72.195

Ahorras: $ 28.878

40% descuento

Envío normal

Origen: Estados Unidos (Costos de importación incluídos en el precio)

Se enviará desde nuestra bodega entre el Miércoles 26 de Junio y el Viernes 05 de Julio.

Lo recibirás en cualquier lugar de Colombia entre 1 y 5 días hábiles luego del envío.

Reseña del libro "The Uncanny Gaze: The Drama of Early German Cinema (Women & Film History International) (en Inglés)"

&&LI&&Normal0falsefalsefalseMicrosoftInternetExplorer4/* Style Definitions */table.MsoNormalTable{mso-style-name:"Table Normal";mso-tstyle-rowband-size:0;mso-tstyle-colband-size:0;mso-style-noshow:yes;mso-style-parent:"";mso-padding-alt:0in 5.4pt 0in 5.4pt;mso-para-margin:0in;mso-para-margin-bottom:.0001pt;mso-pagination:widow-orphan;font-size:10.0pt;font-family:"Times New Roman";mso-ansi-language:#0400;mso-fareast-language:#0400;mso-bidi-language:#0400;}Heide Schl\u00fcpmann's classic study of early German cinema was published in German as Unheimlichkeit des Blicks: Das Drama des Fr\u00fchen deutschen Kinos in 1990. For the first time in English, this translation makes available her feminist examination of German cinema and Germany in the sociopolitical context of Wilhelmine society. By examining then-unknown pre-World War I narrative films, this study paints a picture of the conflicted early years of the German cinema. During this period cinema and film production were able to develop independently from the cultural bourgeoisie and relied on those forces excluded from high \u0022culture\u0022: technology, business, performers, showmen, and actors. In cinema, the dime novel and kitsch were exhibited for all, and the internationalism of modernity prevailed over the prevailing nationalism of the period. Featuring a foreword by film scholar Miriam Hansen and a new afterword by Schl\u00fcpmann, this volume performs a critical perusal of film commentary and offers an in-depth look at little-known films in early German cinema.