Name: Title Sequences as Paratexts: Narrative Anticipation and Recapitulation (Routledge Studies in Media Theory and Practice) (en Inglés)
Price: 333340.00 COP
Availability: InStock
Author: Michael Betancourt
ISBN: 9781138572621

portada Title Sequences as Paratexts: Narrative Anticipation and Recapitulation (Routledge Studies in Media Theory and Practice) (en Inglés)

Title Sequences as Paratexts: Narrative Anticipation and Recapitulation (Routledge Studies in Media Theory and Practice) (en Inglés)

Formato

Libro Físico

Editorial

Routledge

Autor

Michael Betancourt

Año

2017

Idioma

Inglés

N° páginas

176

Encuadernación

Tapa Dura

ISBN13

9781138572621

N° edición

Categorías

Arte digital, de los nuevos medios y videoarte

Title Sequences as Paratexts: Narrative Anticipation and Recapitulation (Routledge Studies in Media Theory and Practice) (en Inglés)

Michael Betancourt (Autor) · Routledge · Tapa Dura

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Reseña del libro "Title Sequences as Paratexts: Narrative Anticipation and Recapitulation (Routledge Studies in Media Theory and Practice) (en Inglés)"

In his third book on the semiotics of title sequences, Title Sequences as Paratexts, theorist Michael Betancourt offers an analysis of the relationship between the title sequence and its primary text―the narrative whose production the titles credit. Using a wealth of examples drawn from across film history―ranging from White Zombie (1931), Citizen Kane (1940) and Bullitt (1968) to Prince of Darkness (1987), Mission: Impossible (1996), Sucker Punch (2011) and Guardians of the Galaxy, Vol. 2 (2017)―Betancourt develops an understanding of how the audience interprets title sequences as instances of paranarrative, simultaneously engaging them as both narrative exposition and as credits for the production. This theory of cinematic paratexts, while focused on the title sequence, has application to trailers, commercials, and other media as well.