Name: Edward Weston & Harry Callahan: He, She, It (en Inglés)
Price: 131428.00 COP
Availability: InStock
Author: Weston, Edward ; Callahan, Harry ; González Flores, Laura
ISBN: 9788415691136

portada Edward Weston & Harry Callahan: He, She, It (en Inglés)

Edward Weston & Harry Callahan: He, She, It (en Inglés)

Formato

Libro Físico

Contribuciones de

Laura González Flores

De… (fotógrafo)

Edward Weston

Harry Callahan

Editorial

Fabrica Editorial

Autor

Weston, Edward ; Callahan, Harry ; González Flores, Laura

Colección

Libros de Autor

Año

2013

Idioma

Inglés

N° páginas

120

Encuadernación

Tapa Dura

Dimensiones

28.00 x 23.00

Peso

1.02 kg.

ISBN

8415691130

ISBN13

9788415691136

Editado en

España

N° edición

Categorías

Historia del arte
Fotografías: colecciones

Edward Weston & Harry Callahan: He, She, It (en Inglés)

Laura González Flores (Contribuciones de) · Edward Weston (De… (fotógrafo)) · Harry Callahan (De… (fotógrafo)) · Fabrica Editorial · Tapa Dura

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Reseña del libro "Edward Weston & Harry Callahan: He, She, It (en Inglés)"

This book compares the portrait photographs of two American masters, Harry Callahan (1912-1999) and Edward Weston (1886-1958), examining how their images combine desire and affection. While many of their well-known works have been understood as straightforward nudes or landscapes, this book looks beyond the limitations of these categories to suggest a more complex notion of their erotic photography. He, She, It looks at Callahan and Weston's images through an examination of the relationship of the body and nature, but also, that of photography and affection. Unlike the majority of erotic photography that seeks to represent desire, in both Callahan and Weston we find the rare instance of desire wholly transformed into an image--an image where the subject is clearly not just displayed but the affection of the photographers toward the subject is clearly evident. For this to occur, there must be complicity between the photographer and his model. It's clear that these are not anonymous and interchangeable models in these images but women whose bodies are evidently loved by the photographers: Tina and Charis in the case of Weston, and Eleanor in the case of Callahan. This emphasis makes this selection of photographs all the more intimate, and all the more deeply erotic.