Name: Humoring the Body: Emotions and the Shakespearean Stage (en Inglés)
Price: 178207.00 COP
Availability: InStock
Author: Gail Kern Paster
ISBN: 9780226213828

portada Humoring the Body: Emotions and the Shakespearean Stage (en Inglés)

Humoring the Body: Emotions and the Shakespearean Stage (en Inglés)

Formato

Libro Físico

Editorial

University Of Chicago Press

Autor

Gail Kern Paster

Año

2014

Idioma

Inglés

N° páginas

290

Encuadernación

Tapa Blanda

ISBN13

9780226213828

N° edición

Categorías

Shakespeare
Estudios literarios: obras de teatro y dramaturgos

Humoring the Body: Emotions and the Shakespearean Stage (en Inglés)

Gail Kern Paster (Autor) · University Of Chicago Press · Tapa Blanda

Libro Nuevo Importado

Envío: 19 a 25 días háb.

$ 297.012$ 178.207

-40%

Costos de importación incluídos en el precio ✅

Libro Nuevo

Quedan más de 100 unidades

$ 178.207

¡Envío Gratis! Llega entre el 21 Ago y el 01 Sep a Bogota, Cundinamarca. Seleccionar ubicación

Agregar a lista de deseos

Reseña del libro "Humoring the Body: Emotions and the Shakespearean Stage (en Inglés)"

Though modern readers no longer believe in the four humors of Galenic naturalism—blood, choler, melancholy, and phlegm—early modern thought found in these bodily fluids key to explaining human emotions and behavior. In Humoring the Body, Gail Kern Paster proposes a new way to read the emotions of the early modern stage so that contemporary readers may recover some of the historical particularity in early modern expressions of emotional self-experience. Using notions drawn from humoral medical theory to untangle passages from important moral treatises, medical texts, natural histories, and major plays of Shakespeare and his contemporaries, Paster identifies a historical phenomenology in the language of affect by reconciling the significance of the four humors as the language of embodied emotion. She urges modern readers to resist the influence of post-Cartesian abstraction and the disembodiment of human psychology lest they miss the body-mind connection that still existed for Shakespeare and his contemporaries and constrained them to think differently about how their emotions were embodied in a premodern world.