Name: The Society of the Screen: Vilém Flusser’s Radical Prescience (en Inglés)
Price: 89068.00 COP
Availability: InStock
Author: Martha Schwendener
ISBN: 9780262051224

portada The Society of the Screen: Vilém Flusser’s Radical Prescience (en Inglés)

The Society of the Screen: Vilém Flusser’s Radical Prescience (en Inglés)

Formato

Libro Físico

Editorial

MIT Press

Autor

Martha Schwendener

Año

2026

Idioma

Inglés

N° páginas

400

Encuadernación

Tapa Blanda

Dimensiones

24.13 x 16.002 cm

ISBN13

9780262051224

The Society of the Screen: Vilém Flusser’s Radical Prescience (en Inglés)

Martha Schwendener (Autor) · MIT Press · Tapa Blanda

Libro Nuevo Importado

Envío: 16 a 25 días háb.

$ 178.136$ 89.068

-50%

Costos de importación incluídos en el precio ✅

Libro Nuevo

Quedan 20 unidades

$ 89.068

Llega entre el 26 Ago y el 09 Sep a Bogota, Cundinamarca. Seleccionar ubicación

Agregar a lista de deseos

Reseña del libro "The Society of the Screen: Vilém Flusser’s Radical Prescience (en Inglés)"

How a lifelong engagement with experimental art informed the brilliant Czech-Brazilian philosopher Vilém Flusser’s early vision of a world dominated by glowing screens.

Predicting the importance of technology and images for the twenty-first century as early as the 1970s, Vilém Flusser warned, “the basic structure of our thinking is about to experience a mutation.” The bewitching images and screens that surround us could lead toward a centrally programmed, totalitarian society—or to another, better one characterized by dialogue and collaboration among humans and new forms of intelligence.

In this book on the idiosyncratic and prescient Czech-Brazilian philosopher, Martha Schwendener explores the profound effect of art on Flusser’s thought. The Society of the Screen reveals how Flusser’s lifelong engagement with experimental practices—from abstract painting and concrete poetry in Brazil to video, cybernetics, and photography in Europe and the United States—as well as his extensive involvement with the São Paulo Biennial informed his belief that we were moving from “history”—a civilization informed by linear writing—into “post-history,” dominated by technical images.

Schwendener documents the importance of Flusser’s correspondence and collaboration with artists like Mira Schendel, Fred Forest, Wen-Ying Tsai, Harun Farocki, Louis Bec, and Karl Gerstner for the evolution of his ideas.